Showing posts with label A New York Memoir. Show all posts
Showing posts with label A New York Memoir. Show all posts

Wednesday, January 12, 2011

Guestblogger Richard Goodman on 5 Favorite and Unexpected Literary Figures in NYC

Twin Towers image by Gaylord Schanilec is from New York Revisited, The Grolier Club, 2002

One of the things I find most fascinating about publishing now is the trend toward the ephemeral, on the one hand (e-books), and on the other, increasing material quality (collectors' books). So the very same book could appear as an e-book, and as a limited, autographed, letterpress edition with, say, handmade marbled paper. The first could cost only a few dollars, while the second could run into hundreds of dollars. (Where's the still big fat middle? Ye olde paperbacks shipped from amazon.com and packing the shelves in your local bookstore.)

Collectors' books, 19th century style, are often sold by subscription. This is the case with travel writer, essayist and writing teacher Richard Goodman's latest, or rather, forthcoming, The Bicycle Diaries: One New Yorker's Journey Through September 11th, which will feature original wood engravings by noted fine printer and wood engraver Gaylord Schanilec, to be published by Midnight Paper Sales. (Read the prospectus, a PDF, here.)

Apropos of this, I invited Richard to contribute a guest-blog post about literary New York. He's an expert on the city, having lived there for many years (check out his recent book, A New York Memoir.) Over to you, Richard.

MY FIVE FAVORITE (AND UNEXPECTED) LITERARY FIGURES WHO SPENT TIME IN NEW YORK CITY
by Richard Goodman

The list of literary figures who have visited or lived in New York is long and, sometimes, quite surprisingly delightful. Here are some of my favorites from that list. I’m always eager to hear about more, so if you know of any surprises, please post a comment.

Henry David Thoreau in Brooklyn
(The link is to a video in which a librarian at the Library of Congress discusses the day in Brooklyn Whitman and Thoreau exchanged books).
The famed naturalist and solitary dweller at Walden Pond did step foot in New York City—where, as we know, most of its citizens lead lives of quiet desperation. In 1850, he came to Fire Island—today, summer playground for young Manhttanites—to look for the effects of a drowned friend of Ralph Waldo Emerson’s. In 1856, he was in Brooklyn where he met, and walked two hours with, Walt Whitman. Whitman gave Thoreau a copy of Leaves of Grass, which, it turns out, Thoreau liked very much. “We ought to rejoice greatly in him,” Thoreau declared in reference to Walt.

Antoine de Saint-Exupéry on Central Park South
(The link is to a New York Times article about a walking tour, "In the Footsteps of Saint-Exupéry")
The aviator-author of such lyrical classics as Wind, Sand and Stars and Night Flight lived briefly at 240 Central Park South in the early 1940s where he began his children’s classic, The Little Prince. He also lived on Beekman Place and in a rented mansion on the North Shore of Long Island before returning to France and a fateful rendezvous with a German fighter plane south of Toulon over the Mediterranean Sea.

Simone Weil on the Upper West Side
(The link is to Francine du Plessix Gray's biography, Simone Weil.)
In 1942, the wonderful, severe, brilliant and difficult French writer, Simone Weil, settled briefly with her family—including her equally brilliant brother—in an apartment at 594 Riverside Drive. The author of The Need for Roots eventually died in England, at age forty-four, later to become, in T.S. Eliot’s estimation, a saint.

Frederick Garcia Lorca in Harlem
(The link is to a New York Times article about his year in New York City.)

The celebrated Spanish poet, author of the plays, Yerma and Blood Wedding, spent 1929-30 in New York City where he attended, for a while, Columbia University’s School of General Studies — essentially, its school of continuing education. Out of this sojourn came his book, Poeta en Nueva York with its powerful poem, “El Rey de Harlem,” The King of Harlem.

Lorenzo da Ponte at Columbia University
(The link is to information about his grave in Queens)

The librettist for Mozart’s operas, The Marriage of Figaro and Don Giovanni, da Ponte was born in 1749 near Venice. After a long and colorful career as a librettist working with Mozart and his nemesis, Salieri, da Ponte came to New York to escape his creditors. He became the first teacher of Italian at Columbia, opened a bookstore, and introduced the works of Rossini to America. He died in 1838, and is buried — where else? — in Queens.

--- Richard Goodman.


P.S. Read more of Richard Goodman's guest-blog posts:
Five Wondrous Works of New York Art
Five Favorite Books with Soul

--> Click here for the complete archive of guest-blogs posts at Madam Mayo.

Wednesday, September 08, 2010

Guest-blogger Richard Goodman on 5 Wondrous Works of New York Art

It's an honor and delight to once again host my amigo, Richard Goodman , founding member of the New York Writers Workshop and author of French Dirt and The Soul of Creative Writing, apropos of his latest, A New York Memoir. Over to you, Richard!

A New York Memoir is, essentially, a long love letter to New York City. It covers a period of thirty-five years, beginning with my knock-kneed arrival at Port Authority in 1975 down to the present day. The book consists of fourteen essays that chronicle people I've met and the inspiration I've received as a writer living here. It shows what it's like being young here, growing here as an artist and person, and growing old here. The author Susan Vreeland said the book is "a heart laid bare." I hope so.

Now comes the hard part. Maybe even harder than writing the book. Five links to....New York? This produced some intensive head scratching, and I can't afford that with what little hair I have. Just thinking of five books about New York (no movies? no plays?) would make me bald. So, I'm resigned to the fact that any list I create will seem insufficient. Given that, I decided to list five links to works of art about New York, regardless of genre, that express what was, and continues to be, one of my chief, valued reactions to New York City: a sense of wonder. Here they are:


1. Weegee's photography
Born Usher Felig, he became, simply, Weegee. As a professional photographer, he literally covered the waterfront in the 1930s, '40s and '50s. His black and white photographs of basic New York City street life are raw, real and intimate. Henry Miller called Brassaï "the eye of Paris." For me, Weegee was the eye of New York.

2. Paul Mazursky's 1976 film, Next Stop, Greenwich Village
The wonderfully romantic vision of 1950s bohemian New York is obviously autobiographical. It's suffused with a protective tenderness. It's also passionate and, when the main character's-- a young actor, of course-- mother, Shelley Winters, is on screen, terrifically funny. I don't know of a better expression of what it's like to "embrace New York with the intense excitement of first love."

3. E. B. White's Here is New York
Which brings me to the author of those quoted words above, E.B. White, and his little gem of a book, Here is New York. I don't claim to have read even a quarter of the books written about New York, but of the books I have read, this is by far the best, the most true. White captures the soul of New York City. Though he himself describes it as "a period piece," he is, for once, wrong. See for yourself.

4. Ralph Ellison's Invisible Man
I read Ralph Ellison's Invisible Man at the perfect moment: when I first arrived in New York. I identified with it totally. Yes, it's about a young black man who arrives in the city twenty or so years earlier than I did and who lives in Harlem and becomes involved with a white-directed socialist cause, but those are just details, details. The book is about the great impact New York has on a young man's psyche and how he contends with new emotional realities he never could have imagined.

5. Eloise
Finally, on an entirely different note, I offer you Eloise. Yes, that six year-old, obviously wealthy, privileged little girl who lives in the Plaza Hotel where Fifth Avenue meets Central Park. Not the kind of existence I have even remotely had here. So, why Eloise? Because for many a child-- and I would suppose more girls than boys, but not exclusively so by any means-- Eloise is New York. This is probably true much more for my generation, and I really have no idea of how many kids still read Eloise, but I would bet that she, and Holly Golightly, have been responsible for the purchase of many a train and plane ticket to New York by eighteen year olds.

--- Richard Goodman

---> For the archive of Madam Mayo guestblog posts, click here.