Showing posts with label Daniel Olivas. Show all posts
Showing posts with label Daniel Olivas. Show all posts

Wednesday, June 01, 2011

Susan Coll's 5 Favorite Comic Novels



The best novelists are sociologists with a wicked sense of humor. In her widely celebrated novels Beach Week, Acceptance, and Rockville Pike, my amiga Susan Coll has upward-striving suburbia nailed. This month Picador has released the paperback edition of Beach Week, so click on through and get your chuckles. Here's what this master of the genre has to say about some of her own comic reading. Over to you, Susan.

Now there is a pig in this world named “Super Sad True Love Story,” the thought of which is nearly as funny as Gary Shteyngart’s self-same novel, winner of this year’s Bollinger Everyman Wodehouse Prize for Comic Fiction. It’s encouraging to see an American--even one who came by way of Russia--win this award, which usually goes to a Brit. A few pages into Super Sad it occured to me that this book does have something of a British sensibility in that Shteyngart's humor relies on the mortification of his male protagonist. This got me thinking about my favorite comic novels--or at least books that had me doubled over in laughter, and I have to confess that the British do seem to have a lock on the sort of droll, dark humor that typically does me in. As do, apparently, men--which is at least the sort of observation that helps get me out of bed and to my keyboard each morning.

1. Our Man in Havana, By Graham Greene (1958), in which a cash-strapped vacuum cleaner salesman in Cuba is pressed into service by British intelligence to hilarious effect, and which, I only just learned from Wikipedia, was made into not just a film but an opera and a play.

2. Burmese Days, by George Orwell (1934), which you can read free, on-line, and which amazon describes as a mix of E.M. Forster and Jane Austen. “Stir in a bit of socialist doctrine, a sprig of satire, strong Indian curry, and a couple quarts of good English gin and you get something close to the flavor . . .”

3. A Good Man in Africa, by William Boyd (1982), about a hapless British diplomat in a fictitious African country in the fledgling days of independence. I wrote about this last summer for NPR: http://www.npr.org/templates/story/story.php?storyId=126501855

4. The Wimbledon Poisoner, by Nigel Williams (1994), a suburban comedy about a man who tries to murder his wife. Confession: I read this so long ago that really all I remember is my own hysterical laughter. While I can’t vouch for how well it holds up, I can tell you who borrowed my book and failed to give it back, so perhaps you can consult with him.

5. Memories of the Ford Administration, by John Updike (1992). Odd that Updike, not known for his comedy, should be the token American on my list. I worked up the nerve to approach him at a conference many years ago, and told him how much I loved this novel. He seemed surprised, and said something about having almost forgotten writing it. I later told this to a book critic who scoffed and said, “minor Updike.” Minor Updike! The definition of an oxymoron? Or the fate, too often, of comic fiction?

--- Susan Coll


---> For the archive of Madam Mayo guest blog posts, click here.
Previous guest-blogger novelists include Janice Eidus; Sandra Gulland; Daniel Olivas; Leslie Pietrzyk; Joanna Smith Rakoff; and Porter Shreve.

Wednesday, May 11, 2011

Shampa Sinha Writing on on Rumania



Wednesdays is the day for the guest-blog post here on Madam Mayo, but this week, something a little different: a link to "Bucharest and Beyond," Shampa Sinha's article for The Australian. It's an intriguing peek into place undergoing almost unthinkable change, and I'm especially delighted to share this link, for Shampa Sinha was, oh so long ago at the Writer's Center, one of my travel writing workshop participants.

LIKE a giant exotic insect, a large glass clings to the side of an apartment building in the Piata Romana, multicoloured straws emerging from it like tentacles.

From above, an oversized Coke bottle, lying along the building's roof, pours a murky stream of fake beverage.

This, we take it, is the face of the new Bucharest...
READ MORE



P.S. The most recent guest-blog posts:
-Richard Jeffrey Newman: 5 Sites to Learn More About the Shahnameh
-Daniel Olivas: 5 Books of for Writing The Book of Want
-Diane Saarinen: 5 Brassy and Well-Branded Book Blogs
>>To view the complete archive, click here.

More anon.

Monday, August 17, 2009

La Sombra del Sabino, September 6th & Why Attend a Bookstore Reading?

I'll be reading from and signing The Last Prince of the Mexican Empire on September 6, 2009 at the ever-luscious La Sombra del Sabino in Tepoztlan, Morelos, Mexico (reading in English, Q & A in Spanglish)--- apropos of which I (finally!) posted this little "roundabout," "Why Attend a Bookstore Reading?" with answers provided by varios amigos, among them, Sandra Gulland, Solveig Eggerz, Leslie Pietrzyk, Richard Peabody, Richard Beban, Kathleen Alcala, Tony Cohan, Daniel Olivas, and more.

Hasta pronto.

Tuesday, March 24, 2009

Wednesday, June 04, 2008

Guest-blogger Daniel Olivas: 5 Influential Writers in "Latinos in Lotusland"

I'm a big fan of Daniel Olivas's, for his writing, his generous and entrepreneurial spirit, and his blogging--- yes, he blogs, too, every Monday for the excellent La Bloga (Chicano, Chicana, Latino, Latina literary news, views & more). His latest book is Latinos in Lotus-Land: An Anthology of Contemporary Southern California Literature, (Bilingual Press), which includes stories by Jennifer Silva Redmond, Rigoberto Gonzalez, and--- well, I'll stop now and let Dan have la palabra. Over to you, Daniel!

In spring of 2005, after receiving a “green light” from Bilingual Press, I set upon the waters of the Internet the following call for submissions:

“I am editing an anthology of short fiction by Latinos/as in which the City of Los Angeles plays an integral role. I am interested in provocative stories on virtually any subject by both established and new writers. Stories may range from social realism to cuentos de fantasma and anything in between. Los Angeles may be a major ‘character’ or merely lurking in the background. I'd like to see characters who represent diverse backgrounds in terms of ethnicity, profession, age, sexual orientation, etc.”

What happened next both surprised and delighted me. My call for submissions quickly spread like a happy virus through the Web, showing up on numerous literary sites, personal blogs, and even on the home page of the Department of Urban Planning at the UCLA School of Public Affairs. With the exception of several pieces I solicited from authors I knew, submissions started pouring in over my virtual transom from writers who found my call on the Web or learned of it through an e-mail from a friend, agent, or writing instructor. It was almost overwhelming. After making some tough decisions (I received more than 200,000 words of fiction and whittled it down to 115,000 words), I chose the pieces that make up Latinos in Lotusland: An Anthology of Contemporary Southern California Literature (Bilingual Press, 2008) .

Though I could sing the praises of all 34 authors whose short stories and novel excerpts are included in the anthology, under the tough guest-blogging rules of Madam Mayo, I must focus on five. So, here are five contributors to the anthology who have been important influences on my own fiction writing:

#1. JOHN RECHY
John’s contribution to the anthology is an excerpt from his novel, The Miraculous Day of Amalia Gómez. This book moved me to such an extent that it became one of the primary inspirations for my first full-length novel, The Book of Want, which is being read by a press right now. In fact, his protagonist, Amalia Gómez, makes an appearance in my book.

#2. LUIS ALBERTO URREA One of the most beautiful novels in recent memory is Luis’s The Hummingbird’s Daughter. After I reviewed his novel for the litblog, The Elegant Variation, I hounded Luis for a story. The man is very busy and crazy with travel. But Luis finally sent me a searing short story entitled “The White Girl.”

#3. KATHLEEN ALCALÁ
One of my favorite genres is the cuento de fantasma, stories steeped in the supernatural. Kathleen is a master of this genre and so I bugged her for a story. She sent me the creepy “Do You Know the Way to the Monkey House?” which is not really a cuento de fantasma but, rather, a plausible story that shows that real life can be stranger than the fantastical.

#4. HELENA MARÍA VIRAMONTES
Without a doubt, one of my favorite short story collections is Helena’s The Moths. Her honest, poetic but often brutal language permeates my own fiction…I don’t pretend to reach Helena’s literary heights, but I try. So when her agent, Stuart Bernstein, offered Helena’s story, “Tears on My Pillow,” how could I refuse?

#5. LUIS J. RODRÍGUEZ Luis has emerged as one of the leading Chicano writers in the country with ten nationally published books in memoir, fiction, nonfiction, children’s literature, and poetry. One of my favorite books is his collection, The Republic of East L.A. I asked him if I could use a story from that book, a story entitled, “Miss East L.A.” He said yes but I would be remiss if I didn’t thank Luis’s agent, Susan Bergholz, for making it all work out.

--- Daniel Olivas

--->For the archive of Madam Mayo guest-blog posts, click here.

Monday, March 31, 2008

On the Occasion of "Madam Mayo's" 2nd Anniversary: Five Lessons Learned About Blogging (So Far)

So, it's the end of March; I've been blogging steadily for two years. Why did I begin? For a bit of an adventure, and to promote my then-hot-off-the-presses anthology of 24 Mexican writers, Mexico: A Traveler's Literary Companion. So, like most literary bloggers, I waded in somewhat naively and self-servingly (if promoting an anthology of 24 Mexican writers can be called self-serving... humph... no, I think not. Would somebody please award me the Aztec Eagle now?) Here are the five lessons learned--- thus far:

#1.Blogging isn't necessarily "blogging"
By which I mean, a lot of people, especially literary types my age and older, have set ideas about what blogs and the so-called "blogging culture" are--- and they are missing the whole point. It's a literary genre, kindasorta, but it's also a delivery system, the whole Web 2.0 social networking technology-phenomenon--- in sum, we do not yet have the precise vocabulary to describe this. I've told writer friends who resist blogging (with that inevitable oh-so-subtle curl-of-the-lip), if you have a newsletter--- and many do nowadays, as adjuncts to their websites--- you already are "blogging." Just call your newsletter a blog. And if you have some resistance to that, well, then, call your blog a "newsletter." Call it a cupcake, whydoncha! Apropos of which: "To Blog or Not to Blog, That is Not the Question".

#2. Good blogging is more than flogging.
I don't read "flog blogs"--- the thud of "me, me, mine," is deadly. The best blogs offer quality writing and quality information--- however quirky a combination (e.g., Phronesisaical's politics, philosophy, international affairs & fruit) or specialized (e.g., Seth Godin's Blog on marketing). (That said, um... why take ads when I can advertise my own books? Yes indeed, look over to right side of this screen for all relevant links.)

#3. My blog is not a log or diary of my life; neither is it a forum or a community bulletin board. It's a filter.
You want to know what blogs to read? Come see what I recommend here and here and here. Want to find out about some extraordinary books? Try this 1,000-year-old apparently true adventure that almost defies belief and Hypnerotomachia Poliphili and all 10 of these. And how about this mind-blowing (literally) video, this Icelandic movie and this sleep-inducing CD and the magic Baby Muse... I blog about my books, events and workshops (yeah, I'm flogging) but also, generally, my interests, my tastes, what I want to share (e.g., "All Hail E.T., Minister of Information!") and celebrate (e.g., Mexico's beloved English eccentric's masterwork, "Las Pozas"). If you don't like it, fine, there is an ocean of blogs out there, wade in. Why not start your own?

#4. Blogging (and balancing blogging with my other writing, and the ever-roaring cascade of e-mails, etc, etc.) requires increasingly advanced time-management skills.
As I noted in my recent post, Time to Blog & Read Blogs & Everything Else Everywhereallthetime, apropos of writers' blogs, "...it seems to me that, as artists--- artists who live in this world of unimaginable quantities of information 24/ 7--- we need to develop a set of skills we never knew we needed." I've learned a lot about organization and productivity (two of my gurus are Regina Leeds and David Allen) but I know I have yet to learn more than I can probably imagine--- and this would be true whether I were blogging or not. That said, I rarely watch television or use a cell phone, and I've moved this blog to a more regular (if flexible) schedule: posts on Mondays and in-between more often than not; guest-bloggers generally on Wednesdays.

#5. Lists are good. Links are even better. Lists of links, yay!
I love my guest-bloggers. Check 'em out. (Coming up in the next weeks: Leslie Pietrzyk, Graham Mackintosh, Daniel Olivas, and more...) Like I said, it' all about Web 2.0. More anon.

--->For the archive of Madam Mayo's posts on blogging, click here.

Wednesday, November 21, 2007

Over at La Bloga, Daniel Olivas Interviews Rigoberto Gonzalez

...about Butterfly Boy and more. Rigoberto is a beautiful spirit. I first met him at the AWP bookfair a few years ago--- he was wearing a black satin ruffled shirt and passing around a basket full of tiny purple-haired troll pins. (Why not wear a purple-haired troll pin? I ask you.)

Monday, March 05, 2007