Tuesday, December 11, 2007

Hurricanes and Carnivals

My essay from Creative Nonfiction (also available as an audio CD), "The Essential Francisco Sosa or, Picadou's Mexico City" appears in Lee Gutkind's anthology, Hurricanes and Carnivals: Essays by Chicanos, Pochos, Pachucos, Mexicanos and Expatriates (University of Arizona Press). Here's the book's description:

“In Mexico,” writes Ilan Stavans in the introduction to this provocative new collection on Mexican culture and politics, “ [the essay] is embraced as passionately as a sport.” While the American essay may be personal and confessional or erudite and academic, it is presumed to be truthful. By contrast, the Mexican essay pushes the boundaries between fact and fiction as writers seek to make their opinions heard—in literary journals, in newspapers, and even on cereal boxes. “What is real and what isn’t in a Mexican essay, only God knows,” concludes Stavans.In Hurricanes and Carnivals, Lee Gutkind, a pioneer in the teaching of creative nonfiction, brings together fifteen essays by Mexican, Mexican American, and Latin American writers that push the boundaries of style and form, showing that navigating “truth” is anything but clear-cut. Although creative nonfiction is widely thought to be an American art form, this collection proves otherwise. By blending fact and fiction, story and fantasy, history and mythology, these writers and others push the bounds of the essay to present a vision of Mexico rarely seen from this side of the border.Addressing topics that include immigration, politics, ecology, violence, family, and sexuality, they take literary license on a whirlwind adventure. C. M. Mayo shows us Mexico City as seen through the eyes of her pug, Picadou; Juan Villoro examines modern Mexico through the lens of demography; Homero Aridjis uses the plight of nesting sea turtles to document a slowly changing Mexican attitude toward natural resources; and Sam Quinones documents the decline of beauty-queen addiction in Mazatlán and tells us about the flower festivals where, according to lore, only two things matter: hurricanes and carnivals. For readers interested in a literary view of contemporary Mexico, as well as students of the creative nonfiction genre, this volume is essential.

And here is a bit from a recent review in the University of Pittburgh Bookshelf:
"A pug named Picadou and her owner walk eastward down the Avenida Francisco Sosa... in Mexico City.... It can be a literal dog-eat-dog world on these streets, which the pug’s owner, C.M. Mayo, captures vividly in an essay she wrote about Picadou and what she thinks and feels. It’s just one tale in Hurricanes and Carnivals (University of Arizona Press), a collection of essays by Mexican, Mexican-American, and Latin American writers, edited by Pitt English Professor Lee Gutkind. The compilation exhibits the catch-22 life of Mexico—a country both united and divided in a mélange of culture, myth, politics, and history. Gutkind, dubbed in Vanity Fair as the “godfather” of the creative nonfiction writing genre, says the difference between American and Mexican writing is that American authors tell you what they see, while Mexican authors tell you what they think. He hopes the Mexican style of “less reportage and more literature” will become a trend in the United States, fodder for enjoyable reading." —Lauren Mylo

More anon.