Showing posts with label Giant Golden Buddha. Show all posts
Showing posts with label Giant Golden Buddha. Show all posts

Monday, November 23, 2015

Giant Golden Buddha and 364 More Free 5 Minute Writing Exercises

Waaaay back in 2006, as a kind of Ur-blog, for 365 consecutive days I posted a 5 minute writing exercise on my website both for my writing workshop students and for myself for I was then in the midst of a multi-year marathon in writing my epic novel, The Last Prince of the Mexican Empire.

Five minutes? Well, that was doable.

Anyway, "Giant Golden Buddha" and 364 more free 5 minute writing exercises are still there, right where they have always been, at this link. What prompts me to post about them today is that at the literary translators conference I attended recently a couple of people told me they loved the exercises but thought they were no longer on-line! I suspect that a few pathways got lost in the massive bramble in there when I redesigned the webpage last year. (Now the exercises are parked inside the new "For Creative Writers" pages).

I have reestablished a prominent link to "Giant Golden Buddha" from my website's homepage, and I hope that does the trick of making the 5 minute exercises easier-than-la-de-da to find. By the way, most but not all of the exercises are mine. To boogy things up, I asked several writer and poet friends to contribute an exercise, and many generously did (you will find their names and websites on the relevant pages). 

FOR THIS WEEK:
5 MINUTE WRITING EXERCISES FROM "GIANT GOLDEN BUDDHA" & 364 MORE FREE FIVE MINUTE WRITING EXERCISES BY C.M. MAYO

November 23 "Mpreg Story"
Today's exercise is courtesy of 
Liz Henry, a poet, writer, translator and blogger who lives in Redwood City, California.Pick a pop culture male character, someone you think of as quintessentially masculine, like Han Solo, Sherlock Holmes, Superman, Aragorn, or Kermit the Frog. Write what he writes in his diary when he first realizes he's pregnant. How does he feel? What does he worry about? What does he do about it? Who will he tell? How will it affect his career? Is the (other) father his lover, his friend, or his worst enemy? Or, write a diary entry from a few months later, after the pregnancy starts to show and the baby or babies start to kick. Now you have the core of a strange mpreg story; mpreg, "male pregnancy" is a sub-genre of fan fiction. Whatever your own gender, this exercise will challenge your ideas about narration and gender normativity, and perhaps about canonical "ownership" of fictional characters.


November 24 "Moo-moo Stuffing"
In your novel, a character named Susie has concocted something for Thanksgiving which she calls "Moo-moo stuffing." What are the ingredients? (What are the ingredients according to Susie?) What does it taste like? Does anyone want to eat it? Does anyone eat it? What happens?


November 25 "Turkey Soup"
Apropos of Thanksgiving left-overs, here is an exercise in generating specific sensory detail and also in using interesting verbs: write in scene in which your character makes turkey soup.


November 26 "Interesting Red"
(Note: This is a variation on the exercise for October 10, "Interesting Pink".) There are are endless "browns", e.g., coffee, chocolate, rust-brown, tocacco-spit-brown, umber, amber, cumin, walnut, hazelnut, toast, fawn, cardboard-brown, ditchwater-brown, polluted-sky-brown, auburn, mahogany, liver, chestnut, roan, sepia, goat's-eye-brown, slime-brown, tawny, potato-brown, bronze, slug-brown, russet, caramel, rotting pumpkin, pot-roast, velvety-brown & etc.
So: make a list of reds. Whatever occurs to you. Really dig around in there. (Feel free to check the Thesaurus if you need a jump-start.)


November 27 "Dog"
Using detail that appeals to all your senses, describe one dog. Be sure to also describe the way it moves. And what can you say about its personality?


November 28 "Show Don't Tell: Crowded Shopping Mall"
Using specific, vivid detail that appeals to the senses, how might you show that the shopping mall is crowded? (Do not use the words "shopping mall" or "crowded.")


November 29 "Living Room"
Quickly, without a lot of thought, list at least 8 but no more than 12 pieces of furniture that might go into a fictional living room. Then choose five.
Now, assign each of the 5: a color; a texture: a size; one other attritubute (can be anything). Now, give each of these 5 pieces a position: for example, is the sofa facing the window? Is the coffee table on top of the bearskin rug? Or is the cabinet in the corner next to the potted palm? Bonus exercise (beyond the 5 minutes): in 3- 4 sentences, describe the owner coming into this living room.


November 30 "Funny Expressions"
Whenever it was time to go somewhere, my grandma used to say, "We're off, the captain shouted." I knew someone else who used to say, "it's all gone to hell in a handbasket." And lots of kids say, "Cool." The exercise is this: imagine an older character, and jot down 3 of his or her characteristic expressions. Do the same for a younger character, and then for a middle-aged character. Feel free to use expressions you've actually heard, or to make them up.



> Your comments are always welcome. Write to me here.












Wednesday, October 01, 2014

The All New Workshop Page: For Creative Writers






Ye olde home page, www.cmmayo.com, which got started back in the Paleolithic, I mean, the summer of 1999, has been undergoing some super seismic shifts, one of which is a re-do of the Workshop page. It even has a new name: For Creative Writers.

This is a page that I began over a decade ago for my workshop students at the Writer's Center (just outside Washington DC in Bethesda MD). It also served a class I gave at the Johns Hopkins Part-Time Writing Program, and later, workshops in Mexico City and for the San Miguel Writers Conference.

I've added to it through the years always with the goal of helping my students-- and myself, for in teaching and writing, I also learn.

The menu now offers:

+ HOME PAGE which includes a brief welcome and a bit about the "Orphic journey."

+ SCHEDULE
Info about my one day only Saturday October 11, 2014 Literary Travel Writing workshop at the Writer's Center in Bethesda, Maryland.

+ RECOMMENDED READING
Books on Craft
Books on Creative Process
Literary Travel Memoirs
War and Peace (Yeah! A whole blog about just that!)

+ PODCASTS FOR WRITERS

RESOURCES FOR WRITERS
Tips and articles galore

+ GIANT GOLDEN BUDDHA
And 364 More Free 5 Minute Writing Exercises

+ And the sign-up for my NEWSLETTER.

More news soon about the podcasts, including Conversations with Other Writers and Marfa Mondays.


YOUR COMMENTS are always welcome.

Monday, July 07, 2014

Cyberflanerie: Cracking Open the Door to Creativity (A Few Resources)

Giant Golden Buddha & 364 More Free 5 Minute Writing Exercises

Debra Eckerling's new Kindle, Purple Pencil Adventures: Writing Prompts for Kids of All Ages

More for kids (of any age): Karen Benke's Rip the Page!
> Her guest-blog for Madam Mayo, 5 Writers on What It Takes to be a Creative Writer> Her latest book, Leap Write In!
My ever-longer list of highly recommended books on creative process/ life. 

Read interviews with accomplished writers, such as Leslie Pietrzyk.

Read even more interviews in the Paris Review.

Listen Better (Julian Treasure's TED Talk)

Follow poet, writer and creative writing teacher Zack Rogow's excellent "Advice for Writers" blog.

Get inspiration from visual artists (all links to the blog This Is Colossal)
(Whew, even your coffee will taste, like, expanded.)

+ + + + + + + + + + 

SURF ON
> My workshop page with more resources for writers and workshop schedule.

COMMENTS always welcome.




Monday, October 03, 2011

New Podcast in the Series on Creative Writing: How to Break a Block


The occasional podcast series on creative writing continues. Just posted: How to Break a Block.

Several podcasts are coming up on various subjects, including conversations with other writers. Check out my main podcast page here.

Further surfing:

>I'll be teaching "Techniques of Fiction" at the San Miguel Writers Workshops and also in Mexico City this winter. Click here for my schedule.

>Giant Golden Buddha & 364 more 5 minute writing exercises

>Recommended reading on the creative process (several cover the issue of block)

>C.M. Mayo on Creative Writing: The Best from the Blog, a free e-book for members of the Dancing Chiva Literary Club (it's free)

Monday, March 28, 2011

A Dozen Dialogue Exercises

READ THIS POST ON THE NEW PLATFORM www.MADAM-MAYO.com



One of the most powerfully vivid ways to show character, relationship, conflict and/or mood is through the use of dialogue. Herewith, one dozen five minute exercises. Use an egg-timer if you must.


#1. Sprinkle in ze French
An American who was resident in Paris for many years gives a tour of the local art museum to some friends who are mighty impressed (but do they admit it?). Write the scene with dialogue.


#2. Echoing in Dialogue
From Henry James's novel The Portrait of a Lady, here's an example of "echoing" in dialogue:
"She has offered to take her-- she's dying to have Isabel go. But what I want her to do when she gets her there is give her all the advantages. I'm sure all we've got to do," said Mrs. Ludlow, "is to give her a chance."
"A chance for what?"
"A chance to develop."
"Oh Moses!" Edmund Ludlow exclaimed. "I hope she isn't going to develop any more!"
In this example, echoing works well to show the two characters's easy going affection for one another. So, try writing a similar scene with echoing in the dialogue. If you need a prompt: a boss and his/ her ingratiating subordinate planning the new furniture arrangements for the office.




#3. Larry & Saul Bake a Cake
Larry and Saul are elderly brothers. Larry is jealous of Saul. Saul thinks Larry is full of himself. They are in Larry's kitchen making a cake. Write the scene with dialogue.


#4. The Control Freak, the Liar & the Narcissist
Three characters, all members of the same family, sit down to dinner. Show by the things they say to one another that one is a control freak, one a liar, and one a narcissist.


#5. Good Cat, Bad Cat
In a pet store: he wants a cat; she does not. Write 5 lines he could say; then, write 5 lines she could say. Briefly describe the cat in question. If you have time, write the scene.


#6. So Terrible. So Awful.
I was in the women's locker room at my health club when I overheard this scrap of dialogue:
A: "Therapists, what they charge--"
B: "Horrible, that's why I quit."
A: "So terrible."
B: "So awful."


I love the shape of this, the way the women echo the sounds and rhythms of each other's words. Notice the rhyme of "horrible" and then "terrible"; the repetition of "So" ("So terrible; "So awful.")

Another interesting aspect is B's interruption of A.

Here's the exercise: take this dialogue; add some names, descriptions, gestures, etc., and flesh out the scene. You might change "therapists" to "dentists" or, say, "contractors" or "piano teachers"--what have you.




#7. "Three Jackets, Three Men & a Joke"
Describe three jackets. Describe the three men who are wearing them. One man tells a joke. How do the other two react?


#8. "When in Rome"
Do as the Romans do: speak Italian. Have your characters, who are arguing about something (whatever you like) use some or all of the following words and phrases:


Dove? (Where?) Buona notte (Good night) Ha un gelato? (Have you any ice-cream?) una crema de barba (shaving cream) E compreso il servizio? (Is service included?) E sulla strada sbagliata (You're on the wrong road)


#9. Class Envy
Your character hates rich people. Give him 3-4 lines of really nasty dialogue. Then, in two sentences or less, identify the specific source of his feelings.


#10. ##&%#@*!!!
One of the fun things about writing fiction is that you can assume the voice of characters who would do and say all sorts of naughty, slobby things. Here's the exercise: two characters (give them names and a little description) are sitting on a back porch drinking beer. They are arguing over which is the better sports team, and a good portion of their vocabulary consists of swear words. Write the scene with dialogue.


#11. Wedding Dress Dialogue
Mother and daughter are in a changing room, before a floor-length mirror, arguing over one more wedding dress. The mother is thrilled about this wedding; the daughter is tempted to call the wedding off-- but show don't tell. That is, do not have the characters state their feelings, but show them through tone, gesture and indirect comments.Write the scene with dialogue.


#12. Sorry
Cindy, a highly educated, experienced, and competent professional, peppers her conversations with, "I'm sorry" (and then she wonders why she's not been promoted). Sketch a few scenes for Cindy with dialogue.






Help yourself to these and other exercises on dialogue, plotting, beginnings, use of imagery, specificity, synesthesia, and much more at “Giant Golden Buddha & 364 More 5 Minute Writing Exercises.”







Monday, February 21, 2011

Techniques of Fiction: The Number One Technique in the Supersonic Overview


I've been giving this "Techniques of Fiction" workshop for a few years now at the Writer's Center, Dancing Chiva, the San Miguel Workshops and San Miguel Writers Conference, and upcoming this weekend at the Bay to Ocean Writers Conference and again at the Writer's Center (near Washington DC).

>> CONTINUE READING THIS POST AT WWW.MADAM-MAYO.COM

There are 2 versions: the Supersonic Overview, a 3 hour workshop (or a little longer, as for Dancing Chiva) and the Ridiculously Supersonic Overview (as for the writers conferences), which typically go for about an hour.

You can get a PhD in creative writing (people actually do, shake my head at that as I may), and though I do believe learning to write is a never-ending, ever-deepening process, I also believe that because of the way the human brain is wired, the same very few but very powerful techniques have provided, provide, and-- barring bizarre genetic mutations-- will continue to provide the most effective instructions to the reader to form, in John Gardner's words, "a vivid dream" in her mind.

That's what a novel is: instructions for a vivid dream. Sometimes I get all Californian and call it a "mandala of consciousness." But whatever you call it, a novel is about providing the experience of someone else's experience: Anna Karenina's, Madame Bovary's, Scarlet O'Hara's, Harry Potter's, [insert name of your main character here].

How do we, whether as readers, or as any human being (say, folding laundry, or maybe digging for worms with a stick) experience anything? Well, last I checked we are not free-floating blobs of consciousness (except maybe when we have out-of-body experiences and/ or when dead); we are in bodies. We experience what we experience through our bodily senses: sight, hearing, taste, smell, touch-- and I would add a "gut" or intuitive sense as well. So any fiction that is going to be readable -- a successfully vivid dream--- needs to address the senses.

The reader responds to specific sensory detail such as the color of the sweater; the sound of the wind in the ficus; the droplet of honey on her tongue; the mustiness of the refrigerator that had been left unplugged in the basement; the cottony bulk of an armload of unfolded towels; the sudden twinge of tightness in his throat just before he picked up the telephone.

There are an infinite number of techniques, but this -- giving the reader specific sensory detail --- is paramount.

Compare:

He was sad.
vs
He sank his chin in his hand. With his other, he reached across the table for a Kleenex.

Poor people lived here.
vs
The hallway smelled of boiled cabbage and a bathroom that needed scubbing.

Rich people lived here.
vs
Everything gleamed and behind her, a pair of white gloves pulled the door shut with a gentle click.

She disliked him.
vs
The sight of him made her grit her teeth.

She ate too much.
vs
She didn't leave one crumb of Mrs Ward's crumbcake.

The neighbors were obnoxious.
vs
Though the Hip-Hop came from three houses down the block, she could feel it in her breakfast table when she put her hand on it.


Here's my favorite quote about detail, from a letter by Anton Chekhov:

In descriptions of nature one should seize upon minutiae, grouping them so that when, having read the passage, you close your eyes, a picture is formed. For example, you will evoke a moonlit night by writing that on the mill dam the glass fragments of a broken bottle flashed like a bright little star, and that the black shadow of a dog or a wolf rolled along like a ball. . .

More anon. For more about my workshops at Bay to Ocean and the Writer's Center next weekend, click here.

P.S. For some fun exercises to generate specific detail for fiction, check out "Giant Golden Buddha" and 364 More 5 Minute Writing Exercises.

See also my recommended reading list on craft.

And: many more resources for writers here.

Thursday, December 16, 2010

How to Make Your Own Favicon in 5 Easy Steps

A favicon is a "favorites icon," a tiny picture that shows up in the browser's location bar. It's the same picture you'll see when you add a website to your home page.

# 1. Make an itsy bitsy pictureI like to use Apple's Keynote program, which is lickety-split.

# 2. Take a screen shot of itCommand-shift-4

# 3. Then save the screenshot as a "jpg"


# 4. Go to
http://tools.dynamicdrive.com/favicon/
Follow the instructions, and be sure to save your favicon as an "ico"

# 5. Plug the "ico" file into your website's html code


In my website for “Conversations with Other Writers,” in “source mode” it looks like this:


 
   < META NAME="description" CONTENT="Podcasts of C.M. Mayo's conversations with other writers" >
  < LINK HREF="/FAVICONS/conversations-favicon.ico" REL="shortcut icon" TYPE="image/x-icon" />
  < LINK HREF="/FAVICONS/conversationso-favicon.ico" REL="icon" TYPE="image/x-icon" / >
  < LINK REL="apple-touch-icon" HREF="/FAVICONS/conversations-ipadicon.png" />
  < TITLE>C.M. Mayo's Conversations with Other Writers: a series of occasional podcasts -- listen in on podomatic.com or itunes

  C.M. Mayo's Conversations with Other Writers: a series of occasional podcasts -- listen in on podomatic.com or itunes

I've noted in bold where you would substitute the name of the file of your own favicon.


HOW TO MAKE AN IPADICON
An ipadicon is the same thing as a favicon, but for an iPad. Same instructions as above, but instead of making a jpeg, make a .png; no need to go to that website, just upload your .png directly into the html code.


A few of my favicons so far:

For my home page, http://www.cmmayo.com/


Maximilian von Mexikowww.cmmayo.com/maximilian.html



Giant Golden Buddha: Daily 5 Minute Writing Exercise page www.cmmayo.com/d5mwe.html


Madam Mayo Blog
http://madammayo.blogspot.com

Marfa Mondays Project
http://www.cmmayo.com/MARFA-MONDAYS.html

More anon.

Wednesday, January 06, 2010

Seven Minutes of Yoga (+ 5 Minutes of Writing)

Over at the the Cowgirl Yoga Blog, Margaret Burns Vap talks about a news year's resolution of a minimum of 7 minutes of yoga per day (as inspired by the NY Times' Dr Oz). Speaking of new year's resolutions, why not try 5 minutes of writing per day? If you're flummoxed by a blank page, "Giant Golden Buddha" and 364 more 5 minute writing exercises are available free on-line here. Namaste & more anon.

Wednesday, March 04, 2009

Use an Egg-Timer If You Must: The Five Minute Cure for Writer's Block

A brief article of mine about "'Giant Golden Buddha' & 364 More 5 Minute Writing Exercises" is on-line at ForeWord Magazine's blog. I'm doing three more pieces for the the "Publishing Insider" column for March--- look for my next column on Wednesday 3/10.

P.S. See also Tom Christensen's excellent piece for this column, on Book Design Primer.

Wednesday, September 03, 2008

Open House at Writers Center, and Flash Fiction

Open house this Saturday September 6th at the Writers Center just outside Washington DC in Bethesda MD. I'll be giving the one-day "Flash Fiction" workshop on Sunday October 5th. Key links:
--->The Writers Center.
--->C.M. Mayo's Flash Fiction Workshop
--->"Giant Golden Buddha & 364 More 5 Minute Writing Exercises"
More anon.


P.S. On another, but related subject, today is the last day to register for the Writers Telesummit, the virtual writer conference. (I'll be giving the talk and Q & A on travel writing). Click on the Writers Telesummit icon over on the sidebar for more information and to register.

Friday, June 27, 2008

Lit-bloggers, Update Your Links Pages: The Writers Center Has a Blog

The Bethesda MD Writers Center, a nonprofit founded in 1976, and one of the premier independent literary centers in the country, has just launched a blog. Check it out at thewriterscenter.blogspot.com and read the Writers Center's communications and publications director, Kyle Semmel's welcome here.

Apropos of the July 26th one day "Flash Fiction" workshop I'll be leading at the Writers Center, Kyle has posted my bit on "Giant Golden Buddha" and 364 More Five Minute Writing Exercises. Said archive includes writing exercises contributed by several fellow Writers Center members, friends, and instructors, among them, Leslie Pietrzyk, Lisa Couturier, Basil White, Kim Roberts, Deborah Ager, Mary Quattlebaum, and Robert Giron. More anon.

Thursday, September 20, 2007

Giant Golden Buddha

is the title of the book I'm working on, a collection of the Daily 5 Minute Writing Exercises. Heavily edited. Stay tuned. Click here for the Giant Golden Buddha exercise.