Showing posts with label travel writing. Show all posts
Showing posts with label travel writing. Show all posts

Monday, May 29, 2017

"For the Vivid Dreamer": Notes from my Workshop on Nature and Travel Writing in the Glorious Guadalupe Mountains National Park

El Capitan from the Pine Springs Station,
Guadalupe Mountains National Park, Texas
This past weekend for my workshops as artist-in-residence at the Guadalupe Mountains National Park I offered this handout which includes three brief, fun, easy-peasy and yet powerfully effective exercises to rev up your writerly perceptions.

We can think of the best writing about nature and travel, whether fiction or nonfiction, as instructions for the reader to form in his or her mind a "vivid dream," an experience of the world. How do we, whether as readers, or as any human being (say, folding laundry or maybe digging for worms with a stick), experience anything? Of course, we experience the world through our bodies, that is to say, through our senses: sight, smell, taste, touch, hearing-- and I would add a "gut" or intuitive sense as well... CONTINUE READING

P.S. Loads more resources for writers on my workshop page.

> Some of my travel writing is here, here, and here.

> Your comments are always welcome. Write to me here.







Monday, April 03, 2017

A Visit to the Casa de la Primera Imprenta de América in Mexico City

>> READ THIS POST ON THE NEW PLATFORM AT WWW.MADAM-MAYO.COM


This is an excerpt from my long essay, of creative nonfiction, "Dispatch from the Sister Republic or, Papelito Habla," which  is forthcoming now available in Kindle.


In the shadow of the National Palace:
La Casa de la Primera Imprenta de América,
the House of the First Printing Press in the Americas,
Mexico City.
Photo by C.M. Mayo, 2017.
...There is one more a pearl of a place that cannot go unmentioned in any discussion of our sister republic’s literary landscape. 
From the Claustro de Sor Juana, in less than twenty minutes’ walk north and slightly east—weaving your way through the shoppers, touts, tourists, beggars, businessmen—honking cars and buses and motorbikes—and a skate-boarder or two—blaring music, freighters with their trolleys piled to toppling with boxes—don’t get run over by the pedicabs—and once at the Zócalo, wending around the Aztec dancers in feathers and ankle-rattles, the toothless shouter pumping his orange sign about SODOM Y GOMORRA MARIGUANA BODAS GAY, and an organ grinder, and to-ers and fro-ers of every age and size, you arrive, out of breath, at a squat, terracotta-colored three-story high building. This is where the first book was printed in—no, not just in Mexico—then New Spain—but in the Americas. 
La Casa de la Primera Imprenta de América.
To step into the foyer of its museum and bookstore is to relax into an oasis of peace. 
The uniformed guard hands me a pen to sign the guest book. It’s late afternoon; I am the third visitor for the day. 
I take a gander at the exhibition of contemporary textile art—a few pieces reference one of Frida Kahlo’s drawings in the Casa Azul of a tentacled monster of paranoia, each limb tipped with a staring eye. 
In the second gallery I find the replica of our continent’s first printing press soaking in sun from the window. The wooden contraption is taller than I am, but so spare, it occurs to me that it might serve to juice apples.
How my Mexican amigos scoffed at the auction of the Bay Psalm Book in 2013. Not about the record sum—14.2 million US dollars—for which that little book, printed in Cambridge, Massachusetts, in 1640, went to a private collector, but about the report in the international media that the Bay Psalm Book was “the first book printed in America.”
To Mexicans, America is the continent, not their sister republic. Mexico is part of the same continent, of course, and so the first book printed in America—or, as we estadounidenses prefer to say, the Americas—was Breve y más compendiosa doctrina Cristiana en lengua Mexicana y Castellana (Brief and Most Comprehensive Christian Doctrine in Nahuátl and Spanish), printed right here, in Mexico City, in this building, in 1539.
Mexico beats out Massachusetts by 101 years! But this sinks to silliness. That printer in Cambridge, Massachussetts, was English, and the one in colonial Mexico City, a native of Lombardy named Giovanni Paoli, Hispanicized to “Juan Pablos.” The technology that found its way to the Americas with these printing pioneers—to the north, Protestants, to the south, Catholics, separated by religious schism and the whirlwinds of European politics, and that century, and moreover, by the staggering distance of desert, swamplands, oceanic buffalo-filled prairies, and sunless and unmapped forests—had one and the same root: the fifteenth-century workshop of a German goldsmith by the name of Johannes Gutenberg. 
Gutenberg was inking his little pieces of movable type more than half a century before Christopher Columbus “sailed the ocean blue,” and the indigenous on this continent chanced to hear the first stirrings of vaguest rumors and weird omens.
Still, 1539 is an early date indeed for that first book printed in the Americas: only eighteen years after the fall of Tenochitlán. Three years after Cabeza de Vaca’s miraculous arrival in Mexico City. Fray Sahagún was still a year away from launching the research that would result in the Historia general de las cosas de la Nueva España, or the Florentine Codex. The lodes that would turn Mexico into an industrial-scale silver exporter had not yet been discovered. The Manila Galleons, treasure ships bringing porcelain, spices, and silks from China to Acapulco, would not begin their annual crossings for another twenty-six years.
In England, Henry the VIII was between wives three and four. It would be sixty-eight more years until the first, disastrous English settlement at Jamestown. The Pilgrims who would land at Plymouth Rock? As a religious community they did not yet exist.
Tucked in the shade of the National Palace and a block east from Mexico’s cathedral, the Casa de la Primera Imprenta was built, it turns out, over the ruin of the Aztec Temple of Tezcatlipoca, Smoking Mirror, trickster god of the night sky, of time, and of ancestral memory.
Aztec snake head on display, 2017.

Who knows what still lies beneath in the rubble? Dug up in the eighteenth century during a renovation, a gigantic Aztec stone snake head was, no doubt with a shudder of horror, reburied. But we live in a different time with a very different sensibility. In 1989 when renovations unearthed that same Aztec stone snake head—elegant with fangs, nostrils, scales, eyes the size of melons—it was carefully excavated and cleaned by archaeologists. This monumental sculpture, heritage of the nation, is now displayed atop a roped platform in the Casa de la Primera Imprenta’s Juan Pablos bookstore, surrounded by a shelf of fiction, a table of poetry, and a sign informing us that the Aztec snake head is carved from grey basalt and weighs approximately one and a half tons.
The Juan Pablos bookstore, named for that original printer Giovanni Paoli, retails books from the press of Mexico City’s Universidad Autónomo Metropolitana (UAM). Such are my interests du jour: I came away with a copy of the first Spanish translation of an eighteenth-century Italian’s journey to Mexico and the 2015 El territorio y sus representaciones. 


A splendid and very important book:
El territorio y sus representaciones
by Luis Ignacio Sainz Chávez and
Jorge Gonzlález Aragón Castellanos
winner of the 2016 Premio de Investigación
Published by the Universidad Autónoma Metropolitana,
Mexico.
END OF EXCERPT

From "Disptach from the Sister Republic or, Papelito Habla" by C.M. Mayo
Copyright 2017. All rights reserved.
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When the Kindle is available I will be sure to announce it here. If you'd like to get my very occasional newsletter, I welcome you to sign up for that here.

> Your comments are always welcome. Write to me here.

> Another excerpt from this same long essay, on Cabeza de Vaca's Relación, is forthcoming in Scoundrel Time; another, on Mexico's great baroque poet, Sor Juana, appeared in this blog Monday before last; and yet another, on Lord Kingsborough's colossal Antiquities of Mexico, was posted back in February.



UPDATE: "Dispatch from the Sister Republic or, Papelito Habla," my long essay pon the Mexican literary landscape and the power of the book, is now available in Kindle.

amazon.com







Monday, December 28, 2015

"Madam Mayo's" Top Posts in 2015

As usual, this year many of this blog's posts pointed to my works posted elsewhere on the web, e.g., to several "Marfa Mondays" and "Conversations with Other Writers" podcasts; travel writing; new translations, and various book reviews (for Literal and Washington Independent Review of Books). The posts listed below, however, are all works original to this blog, and I offer them here with my warmest wishes to you, dear reader, for a wondrous 2016.

I note that this year I discontinued guest-blogs but did post several extra-crunchy Q & A's-- this in addition to my podcasts and transcripts of same for Marfa Mondays and Conversations with Other Writers.




December 21, 2015

December 7, 2015

On the Trail of the Rock Art of the Lower Pecos
(also a guest blog post for Mary S. Black)
November 3, 2015

October 29, 2015

August 31, 2015

by James McWilliams
July 6, 2015


January 12, 2015


> Your comments are always welcome. Write to me here.





Monday, November 30, 2015

2015 Kindle Update for "Miraculous Air: Journey of a Thousand Miles through Baja California, the Other Mexico"

I've posted a few updates on the website for Miraculous Air-- new excerpts, interviews, etc. Plus there is an all-new cover for the Kindle edition, this one featuring the painting "Sunrise Over the Sierras," by Michael Cope, an American artist and founding owner of the Galería de Todos Santos in Baja California Sur, Mexico. (Plus, I corrected a few stray typos and such.)

Here is the all new cover for the Kindle edition:





To get the Kindle, click here.

By the way, if you already own the Kindle edition, simply ask amazon customer service to update your copy. (It isn't automatic, alas, but if you email their customer service, as has been my experience, they will update it for you lickety-split.)


Here is the previous Kindle cover from 2011:




(It's main virtue, methinks, is that it skips ye-olde-cardon-cactus-by-the-sea.)

And here is the paperback edition cover, available from Milkweed Editions (2007):




It features the charming painting by Aligi Sassu of the Angel of Loreto carrying the Santa Casa, the house of the Virgin, to Loreto, Italy. Our Lady of Loreto is the patron saint of Baja California, and of aviators.

And here is the hardcover, published by the University of Utah Press (2002):






The audio edition is in production, as is a Spanish edition. Want to be notified when they are available? I invite you to subscribe to my free monthly-ish newsletter. Sign up here.

> Read excerpts

> Read interviews about this book

> Read reviews

> Listen to a podcast or two ("Hell, I Knew It Was Paradise" and "Like People You See in a Dream")



Your comments are always welcome. Write to me here.










Wednesday, October 14, 2015

Big Hike in the Big Bend: "Over Burro Mesa and into Apache Canyon" now in the Fall 2015 Issue of CENIZO JOURNAL


I am in deepest Mexico for the moment and so haven't yet put my paws on the new issue of the Far West Texas' always-lovely Cenizo Journal, but my on-the-spot informers tell me it is out and it does contain my essay, "Over Burro Mesa." Herewith:



OVER BURRO MESA 
AND INTO 
APACHE CANYON

By C.M. Mayo

I had ghosts on my mind—not in a spooky way, just stray thoughts about long-gone people on a bright, hot morning in the Big Bend National Park. In the foothills of the Chisos, I parked on the road-side. My aim was to hike over Burro Mesa west into Apache Canyon, to a corral where Apaches stashed stolen horses, and to explore an arrow quarry. 

The week before in this canyon, two Italian women fended off a mountain lion. Apparently it was a young lion and their screams caused it to scramble off—but that wasn't the kind of adventure I was looking for. I figured my guide, Charlie Angell, could handle any critters better than I could. 

Sun blasted down. The only clouds were wisps, as if from a paintbrush dipped in milk. Thorns snagged my jeans. The trail became so faint, I surely would have lost it on my own. Just when the hill dipped, then came another trudge up another rise through whips of ocotillo, lechugilla, biznaga, beargrass, stunted soap trees... Many had been incinerated, probably from lightning strikes. 

No sign of burros on Burro Mesa. In two hours in this merciless landscape, we had seen no animal tracks, no scat; one lizard; one butterfly; two ravens.

It began to seem we were hiking not so much to a place but into the past, for this was a soundscape deeply strange to me. I live in Mexico City, one of the biggest in the world, where the thrum of traffic surges and fades, but never ceases. On myriad saint days, firecrackers pop like popcorn; weekends, the thump-a-thump-a of parties. Helicopters roar; dogs bark. 

Less than two centuries ago, Burro Mesa and Apache Canyon, indeed, the whole of the Big Bend, were Mexican territory—Mexico City the capital. But notionally. Maps of the period tell the truer story, a blank space with a name that was a shrug of ignorance or, for those who had heard the stories of kidnappings and scalpings, a drum-beat of horror: LA APACHERIA.

Finally, not that there was anyplace to sit, we sat down. 

"Drink up," Charlie insisted, handing me another bottle of water.

And this was when, suddenly as that mountain lion must have appeared, a lone figure carrying a pole taller than he was, loomed above us. A Texan in expensive-looking drab olive gear. He'd been hiking for several days, he said brightly—yesterday, the Mesa de Anguila. Mighty surprised to see us. We were the first hikers he'd encountered in the past three days.

And the pole?

For scaring mountain lions. But it didn't weigh much; it was bamboo. After twenty years, its bottom was starting to split-he lifted it to reveal a mass of duct tape. From his flask, he drank water, but he did not sit down. In a moment, he and his fabulous pole had disappeared down the hill.

We found the dry stone corral tucked against the mountain, blanketed in shade. It was filled with rubble and brush. Beyond a waist-high forest of creosote, the arrow quarry would have been easy to miss. It was not a hole in the ground, but a cliff of flaky-looking dark rock. Broken arrowheads lay all about: bone white, pink, orange, some tinged lavender. Before I put it back, I held one in my hand. Who knew how old it was, a hundred, five hundred years? 

I tried to conjure an image of the hands that had chipped, so expertly, until this triangle, a form at once unfathomably ancient, life-giving, and deadly, emerged. It was probably a man, probably older than most in his tribe— let's say he had an arthritic knee. A claw strung onto his necklace.




# # #


> Listen in to "Over Burro Mesa" (plus "The Kickapoo Ambassadors") in Marfa Mondays #14

> Watch my mini-clip video of Apache Canyon:



> Big Bend National Park: This Video Could Save Your Life!

> Listen in to (or read the transcript of) my interview with founding editor of Cenizo Journal, Dallas Baxter: "This Precious Place." 

> Listen in to (or read the transcript of) my interview with the immensely talented and daredevil photographer Paul V. Chaplo, author of Marfa Flights, "On Finding Composition in the Landscape"

> Listen in to the whole enchilada! Nineteen podcasts so far.







Monday, May 11, 2015

Transcript of "We Have Seen the Lights: The Marfa Ghost Lights Phenomenon" (Marfa Mondays #7)

The Marfa Mondays Podcasting Project proceeds and, yes, I am writing the book, World Waiting for a Dream: A Turn in Far West Texas

Last week, podcast #17, an interview with historian Lonn Taylor, went live, and over the past few days I've uploaded several transcripts of older podcasts, including that of podcast #7, "We Have Seen the Lights," about the Marfa Ghost Lights. 

Herewith an excerpt:



FROM THE TRANSCRIPT OF PODCAST #7
"WE HAVE SEEN THE LIGHTS"
When I first visited Marfa in the late 1990s, I made an arrow for the Marfa Lights viewing area, a pullout on the highway between Marfa and the neighboring town of Alpine. About 9 miles out of Marfa, it was just a parking area with, as I recall, a couple of sun-bleached picnic tables. There was an RV parked to one the side and standing on top of one of the picnic tables, a burly man in shorts and a T-shirt, his knees bent like a quarterback about to grab the football. There was no one else there. It was still light out, though the sky had paled and beyond the expanse of Mitchell Flat, the mountains to the south, the Chinatis, loomed a dusky purple. I don't recall that man turning to look at me, but he must have heard my car pull up behind him, for as I opened the door, he pointed toward the mountains and began to shout:
"OH MY GOD... OH MY GOD... OH …. MY… GOD!"
As I set my shoe on the dirt, I saw that it was surrounded by a scattering of something silvery: quarters. I have found many a penny on the sidewalk, and few dimes over the years, but this was several dollars worth of quarters. I gathered them up.
"OH MY GOD!" The man was bellowing. "OH MY GOD!!!"
I would have thought him barking mad except that, I too saw the lights and they were unlike anything I had ever seen.  
[...CONTINUE READING... includes interviews with residents...]

> Listen to the podcast


> Listen to all the Marfa Mondays podcasts


> Your comments are always welcome, and for updates you are very welcome to sign up for my free every-other-monthly-ish newsletter. 









Wednesday, November 05, 2014

Rolf Potts on Time Wealth (A Note)

ROLF POTTS
I first heard about travel writer Rolf Potts an eon ago, when he interviewed me about my travel memoir of Baja California, Miraculous Air, for his Vagabonding blog. Back then-- whew, it was maybe 2003 or 2004?-- the idea that another writer, on his own platform, would "publish" interviews was very avant-garde. How things have changed! 

(In part in emulation of Potts, I started my own occasional podcast series of Q & A with my favorite writer friends. So thanks, Rolf.)


TIM FERRISS
With his books and blog, Potts has garnered legions of fans over the years, including Tim Ferriss. Ferriss, the super-buff, tango-dancing, Mr Viral-Video, tree-climbing, globe-trotting author of the best-selling Four Hour Work Week, is the sort of author I'm usually allergic to (well, I sniff, how else will I ever get through my backlog of Willa Cather novels?). But Tim, I send you a cyber shower of jpeg lotus petals! Because, actually, I did read The Four Hour Work Week and gleaned some nifty ideas from it, and I quite enjoyed your recent podcast interview with Rolf Potts. In particular, I was heartened to hear you guys talking about "time wealth."
(In addition to more podcasts)
On my wish list for more exciting
baking experiences: the Yeti oven mitt

(Speaking of time wealth, while listening in, I was baking a pumpkin cake. I hereby award myself a prize.)

But seriously, I think about time wealth-- though until now I wouldn't have used that term-- all the time. It's the hours, quality hours, of one's life-- how to maximize the number and maximize their quality? Most  people assume that more money, more stuff, is the way. But as one climbs the curve of middle age, one starts to feel the drag of clutter, and the shrinking time-horizon. 

As they say, "your stuff owns you," for every single thing, whether big (a house) or small (a pair of shoes) requires both care (of some sort, at some point) and physical space. Trips to the mall, the dry cleaners, the grocery store, getting that light fixture fixed... I'm always asking myself, is this where I want to be? Is this what I want to be doing? I have so many books I want to write, and time rolls by at a frighteningly fast rate. 

One exercise that always brings me back to the best tactics to maximize time wealth is to imagine that I have, say, a hundred million dollars. Silly as it may sound, I recommend doing it seriously. 


As "the Estate Lady," Julie Hall,
reminds us, "the hearse doesn't
have a trailer hitch"
Really, what would you do if you had a hundred million dollars?  

Most people, once they get past their tittering at the helium in such an idea, blow through a long list of stuff-- a special car, a fabulous mansion, a this, a that... but then, past all the material objects, and a parade of imaginary butlers and masseuses (none of whom, ha, seem to require training, time off, any paperwork, inconvenient boyfriends or children, or annoying quirks), and then, oh yeah...

Giving away a wad of it to this relative, another wad to that charity... There's usually a long list of relatives, friends, and charities.

And then... then...

All of that exhausted, there is something else. 

Something the heart yearns for, and that, usually, doesn't require much money, if any. It might be time to read, just read, on a beautiful beach. The chance to paint. To write a novel. Make a film. Volunteer to help [fill in the blank]. And very often travel often comes up: to cross the country on a bike, to see India, or, say, hike the length of the Appalachian trail. 

The thing is, stuff-- whether the illusory lack of it, or the clutter of it-- has gotten in the way of seeing the heart's true, and for most people even of the most ordinary means, very attainable, path. 

Dear readers, check out Tim Ferriss' podcast interview with Rolf Potts. (Don't mind Ferriss' nattering on about his viral videos and his underwear. As we say in Mexico, no hay dos.)

Your COMMENTS are always welcome.
















Miraculous Air: Journey of a Thousand Miles through Baja California, the Other Mexico: 




(from the workshop page)

Friday, January 03, 2014

Bruce Berger's The End of the Sherry

I like to say that books are thought-capsules that can travel through time and space-- e.g., here I am rereading Cabeza de Vaca's 16th century Naúfragos, his memoir of (who'd a thunkit?) far West Texas, and other yonder beyonds. But the fact is, thanks to our books, we writers often make friendships in the here and now. Bruce Berger is one such. He's the author of Almost an Island, one of my very favorite travel memoirs, as well as a passel of other works about Baja California and the deserts of the southwest United States. When my book about Baja California, Miraculous Air, came out in 2002 and apropos of that he-- out of the blue-- sent me an autographed copy of his latest, Sierra, Sea and Desert: El Vizcaíno, well, though we hadn't yet met in person, we were good friends. 

So what shows up in my mailbox this Christmas but his autographed latest, The End of the Sherry-- and just as with Almost an Island, as I read, I am not only in awe of his poetic prose, but laughing out loud at one thing or another on almost every page. 


The End of the Sherry is his coming of age as an artist story-- set all the way back in the 1960s, when he played piano in Spain for three years. With his love for music, enthusiasm for travel, his poetry, appreciation for beauty, for the quirks and peculiarities of all kinds of people, and always served up with that scrumptiously puckish sense of humor... reading Berger is the best way to start out the new year.


COMMENTS




Monday, October 22, 2012

World Waiting for a Dream: Travels in Far West Texas

The work-in-progress, begun back in January of this year, finally has a title: World Waiting for a Dream: Travels in Far West Texas. Of course, it opens with the arrival of Cabeza de Vaca in La Junta, a dreamlike sequence if there ever was one. I'll be reading from the manuscript and talking about travel writing on January 29, 2013 for PEN San Miguel de Allende. Stay tuned for details.

Meanwhile, listen in any time to the ongoing Marfa Mondays podcasts which, so far, include interviews with art expert and museum curator Mary Bones, artist Avram Dumitrescu, Big Bend wilderness expert Charles Angell, Chihuahuan Desert bee expert Cynthia McAlister, Rock hound Paul Graybeal of Moonlight Gemstones, and Yours Truly recounting some super weird experiences with the Marfa Lights. And... I've got several more podcasts in line to upload this month and next. There will be a total of 24 podcasts through the end of 2013 at which point I expect I'll have a complete draft of the book. Which may look nothing like the podcasts. A ver qué tal.

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