Showing posts with label Far West Texas. Show all posts
Showing posts with label Far West Texas. Show all posts
Monday, January 06, 2020
Patti Smith's "Just Kids" and David M. Wrobel's "Global West, American Frontier"
>> CONTINUE READING THIS POST ON THE NEW PLATFORM, WWW.MADAM-MAYO.COM
Monday, October 21, 2019
Monday, December 31, 2018
Top Posts of 2018
By C.M. Mayo www.cmmayo.com
Throughout 2018, except on rare occasion when not, I posted to this blog on Mondays, offering a post for the writing workshop on the second Monday and a Q & A with another writer on the fourth. As ever my posts tend to focus on my works, works-in-progress, and related reading. If you're new to this blog, dear writerly reader, subjects include literary essay, fiction, and poetry; Mexican history and literature; Texas, and in particular Far West Texas; and heavy doses of the history of the book and of technology in general.
Herewith, the top posts of the year:
December 24, 2018
José N. Iturriaga's "Mexico in US Eyes" (México en las miradas de Estados Unidos)
December 17, 2018
Top 10 + Books Read 2018
#1 was a tie between Peter Brannen's The Ends of the World and Jeremy Naydler's In the Shadow of the Machine. An especially crunchy list.
December 10, 2018
Luis Felipe Lomeli Interviews Yours Truly about Mexico: A Traveler's Literary Companion & etc.
December 3, 2018
Meteor, Influences, Ambiance
July 1, 2018
Marshall McLuhan: Some Notes by Way of a List of Books, Videos, and More
June 25, 2018
Notes on Tom Lea and His Epic Masterpiece of a Western, The Wonderful Country
June 18, 2018
A Review of Claudio Saunt's West of the Revolution: An Uncommon History of 1776
April 30, 2018
Notes on Wolfgang Schivelbusch's The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century
March 5, 2018
FOR THE WRITING WORKSHOP
November 12, 2018
Poetic Alliteration
October 8, 2018
Poetic Listing
September 24, 2018
Working with a Working Library: Kuddelmuddel
September 10, 2018
Poetic Repetition
August 13, 2018
Diction Drops and Spikes
June 11, 2018
Virginia Tufte's Artful Sentences: Syntax as Style
May 14, 2018
Blast Past Easy: A Permutation Exercise with Clichés
April 9, 2018
Grokking Plot: The Elegant Example of Bread and Jam for Frances
Q & A WITH OTHER WRITERS
(with a special focus on grappling with digital distractions)
November 26, 2018
Amy Hale Auker, Author of Ordinary Skin: Essays From Willow Springs
November 18, 2018
Mary Mackey on The Jaguars That Prowl Our Dreams, Bearing Witness, and Women Writers' Archives
October 29, 2018
Roger Greenwald on Translating Tarjei Vesaas's Through Naked Branches-- and On Writing and Publishing in the Digital Age
July 23, 2018
Lynn Downey: Research Must Serve the Writer, Not the Other Way Around
May 28, 2018
Yermiyahu Ahron Taub on Prodigal Children in the House of G-d: Stories
April 23, 2018
Sara Mansfield Taber on Chance Particulars: A Writer's Field Notebook
February 25, 2018
> Your comments are always welcome. Write to me here.
Throughout 2018, except on rare occasion when not, I posted to this blog on Mondays, offering a post for the writing workshop on the second Monday and a Q & A with another writer on the fourth. As ever my posts tend to focus on my works, works-in-progress, and related reading. If you're new to this blog, dear writerly reader, subjects include literary essay, fiction, and poetry; Mexican history and literature; Texas, and in particular Far West Texas; and heavy doses of the history of the book and of technology in general.
Herewith, the top posts of the year:
December 24, 2018
José N. Iturriaga's "Mexico in US Eyes" (México en las miradas de Estados Unidos)
December 17, 2018
Top 10 + Books Read 2018
#1 was a tie between Peter Brannen's The Ends of the World and Jeremy Naydler's In the Shadow of the Machine. An especially crunchy list.
December 10, 2018
Luis Felipe Lomeli Interviews Yours Truly about Mexico: A Traveler's Literary Companion & etc.
December 3, 2018
Meteor, Influences, Ambiance
July 1, 2018
Marshall McLuhan: Some Notes by Way of a List of Books, Videos, and More
June 25, 2018
Notes on Tom Lea and His Epic Masterpiece of a Western, The Wonderful Country
June 18, 2018
A Review of Claudio Saunt's West of the Revolution: An Uncommon History of 1776
April 30, 2018
Notes on Wolfgang Schivelbusch's The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century
March 5, 2018
February 4, 2018
On Organizing (and Twice Moving) a Working Library: Ten Lessons Learned of Late with the Texas Bibliothek
FOR THE WRITING WORKSHOP
November 12, 2018
Poetic Alliteration
October 8, 2018
Poetic Listing
September 24, 2018
Working with a Working Library: Kuddelmuddel
September 10, 2018
Poetic Repetition
August 13, 2018
Diction Drops and Spikes
June 11, 2018
Virginia Tufte's Artful Sentences: Syntax as Style
May 14, 2018
Blast Past Easy: A Permutation Exercise with Clichés
April 9, 2018
Grokking Plot: The Elegant Example of Bread and Jam for Frances
Q & A WITH OTHER WRITERS
(with a special focus on grappling with digital distractions)
November 26, 2018
Amy Hale Auker, Author of Ordinary Skin: Essays From Willow Springs
November 18, 2018
Mary Mackey on The Jaguars That Prowl Our Dreams, Bearing Witness, and Women Writers' Archives
October 29, 2018
Roger Greenwald on Translating Tarjei Vesaas's Through Naked Branches-- and On Writing and Publishing in the Digital Age
July 23, 2018
Lynn Downey: Research Must Serve the Writer, Not the Other Way Around
May 28, 2018
Yermiyahu Ahron Taub on Prodigal Children in the House of G-d: Stories
April 23, 2018
Sara Mansfield Taber on Chance Particulars: A Writer's Field Notebook
March 26, 2018
February 25, 2018
Leslie Pietrzyk on the Siren Song of the Internet and on Writing Silver Girl
Warmest wishes to you for a happy, healthy, prosperous, and swirlingly wondrous 2019!
Warmest wishes to you for a happy, healthy, prosperous, and swirlingly wondrous 2019!
Monday, September 24, 2018
Working with a Working Library: Kuddelmuddel
By C.M. MAYO www.cmmayo.com
This blog posts every Monday. Starting this year, every fourth Monday, except when not, is a Q & A with another writer. This week not.
As you dear, faithful, writerly readers know, I have been at work on the Far West Texas book. One of the individuals who appears and reappears throughout the narrative is Lt. John Bigelow, Jr. An officer in the Tenth U.S. Cavalry in the late 19th century, Bigelow had an illustrious father and his own impressive body of work in military strategy and tactics, in many ways anticipating the industrial-level wars of the twentieth century. So, having done a small Himalaya of reading on those Bigelows and the Tenth Cavalry, last fall at the conference at the Center for Big Bend Studies, I presented a paper on Lt. Bigelow, expecting to polish it up into publishable form lickety-split. Ha! It's still not finished, but at least the draft is, and I submitted it. Wish me luck.
In the meantime, herewith, a few lessons learned about working with a working library.
[>>CONTINUE READING THIS POST AT WWW.MADAM-MAYO.COM]
I'm several decades and several published books down the pike now that I pause here, en blog, to confess that I never fully appreciated what was involved with writing a book that necessitated a working library. I just sort of accumulated whatever books I needed, or thought I might need, willynilly, clearing bookshelf space, catch as catch can. Things got rather pile-y, shall we say, and sometimes I wasted good working mornings just hunting for things. I never fully appreciated how unwieldly some of these working libraries can grow-- and grow as, in many cases, they rightfully must.
Some of my working libraries took up only a few shelves, for example, the reading for my anthology Mexico: A Traveler's Literary Companion. The one for my Baja California book, Miraculous Air, took up an entire wall, floor to ceiling, and the working library for my novel on Mexico's Second Empire almost twice as much space. Ditto my recent book on Madero and metaphysical religion. And... drumroll... most especially the one I am using now on Far West Texas. The Texasbibliothek, as I call it, now hogs and camels and elephants and Macktrucks an entire room.
You may wonder, why can't I just borrow books from my local library? Answer, Part I: I don't have a relevant library nearby. Part II: When I am writing I often need to have several different books at-hand; many libraries will not lend out so many books at once, nor bring out so many volumes to a reading room. (But yes, I have consulted books in libraries, and in archival collections.) As I worked on that Baja California book, the Second Empire novel, and the one on the Mexican Revolution, I often had five or ten or even as many as, say, fifteen books open on my desk... such is the Kuddelmuddel of my process.
So... for the types of books I was and am writing, this means having a budget-- a realistic budget-- for buying books. University press hardcovers can be, ouch. To save money, many a time I bought an ex-library edition off of www.abebooks.com-- which for used books is, in my experience, more reliable than amazon or ebay. And for collectible editions, I would advise steering way clear of amazon and ebay because all sorts of sellers on there have no clue what a first edition is or how to accurately describe a book's condition. Again, abebooks.com is good and better yet sellers who are members in good standing of the Antiquarian Booksellers Association of America. An occupational danger is that you can get a jones for collecting, and start buying first editions. But that's another blog post. I used to buy Italian shoes, let me put it that way.
As for organizing these working libraries, I posted previously about that here. Indeed, I got this current working library, my Texasbibliothek, into such superb shape that, as I was pulling out various titles for this paper on Lt. Bigelow, I had a little fiesta of self-congratulation every single time.
And reshelving the books? Something I do now with this Texasbibliothek that I have never done before-- and I am shaking my head that it had not occurred to me sooner-- is to tuck into each book a bookmark with its category.
Making individual bookmarks with the categories noted might seem more trouble than it's worth, but the challenge is, many books could go into more than one category, and if I have to remember or decide anew which one it is each time I reshelve it, well.... then... unshelved books tend to start piling up and sprawling into big, giant, King-Kong-scale Kuddelmuddel!
Decluttering? Indeed I do declutter. However, for some subjects, as in these working libraries, the collections in themselves have significant cultural / scholarly value; they should not be broken up. One day I will find them a good home.
What is Kuddelmuddel?
Not to be confused with Kugel Mugel.
> Your comments are always welcome. Write to me here.
This blog posts every Monday. Starting this year, every fourth Monday, except when not, is a Q & A with another writer. This week not.
![]() |
| [ My writing assistant keeps an eye on Kuddelmuddel] |
In the meantime, herewith, a few lessons learned about working with a working library.
[>>CONTINUE READING THIS POST AT WWW.MADAM-MAYO.COM]
I'm several decades and several published books down the pike now that I pause here, en blog, to confess that I never fully appreciated what was involved with writing a book that necessitated a working library. I just sort of accumulated whatever books I needed, or thought I might need, willynilly, clearing bookshelf space, catch as catch can. Things got rather pile-y, shall we say, and sometimes I wasted good working mornings just hunting for things. I never fully appreciated how unwieldly some of these working libraries can grow-- and grow as, in many cases, they rightfully must.
Some of my working libraries took up only a few shelves, for example, the reading for my anthology Mexico: A Traveler's Literary Companion. The one for my Baja California book, Miraculous Air, took up an entire wall, floor to ceiling, and the working library for my novel on Mexico's Second Empire almost twice as much space. Ditto my recent book on Madero and metaphysical religion. And... drumroll... most especially the one I am using now on Far West Texas. The Texasbibliothek, as I call it, now hogs and camels and elephants and Macktrucks an entire room.
You may wonder, why can't I just borrow books from my local library? Answer, Part I: I don't have a relevant library nearby. Part II: When I am writing I often need to have several different books at-hand; many libraries will not lend out so many books at once, nor bring out so many volumes to a reading room. (But yes, I have consulted books in libraries, and in archival collections.) As I worked on that Baja California book, the Second Empire novel, and the one on the Mexican Revolution, I often had five or ten or even as many as, say, fifteen books open on my desk... such is the Kuddelmuddel of my process.
So... for the types of books I was and am writing, this means having a budget-- a realistic budget-- for buying books. University press hardcovers can be, ouch. To save money, many a time I bought an ex-library edition off of www.abebooks.com-- which for used books is, in my experience, more reliable than amazon or ebay. And for collectible editions, I would advise steering way clear of amazon and ebay because all sorts of sellers on there have no clue what a first edition is or how to accurately describe a book's condition. Again, abebooks.com is good and better yet sellers who are members in good standing of the Antiquarian Booksellers Association of America. An occupational danger is that you can get a jones for collecting, and start buying first editions. But that's another blog post. I used to buy Italian shoes, let me put it that way.
![]() |
| [Bookmarks for books in my working library] |
And reshelving the books? Something I do now with this Texasbibliothek that I have never done before-- and I am shaking my head that it had not occurred to me sooner-- is to tuck into each book a bookmark with its category.
Making individual bookmarks with the categories noted might seem more trouble than it's worth, but the challenge is, many books could go into more than one category, and if I have to remember or decide anew which one it is each time I reshelve it, well.... then... unshelved books tend to start piling up and sprawling into big, giant, King-Kong-scale Kuddelmuddel!
Decluttering? Indeed I do declutter. However, for some subjects, as in these working libraries, the collections in themselves have significant cultural / scholarly value; they should not be broken up. One day I will find them a good home.
What is Kuddelmuddel?
Not to be confused with Kugel Mugel.
> Your comments are always welcome. Write to me here.
Monday, April 30, 2018
Notes on Wolfgang Schivelbusch's THE RAILWAY JOURNEY: THE INDUSTRIALIZATION OF TIME AND SPACE IN THE NINETEENTH CENTURY
![]() |
| Get this book at The Seminary Co-op |
"Systems analysis must become cultural analysis, and in this historians may be helpful."-- Lynn White, Jr.
Drive into Far West Texas and before you can say "pass the Snickers" you'll spy the railroad tracks, which more often than not run, seemingly infinite sinuous ribbons, parallel to the highway. Travel for a spell and you'll pass or, if at a crossing, be passed by a freight train, always an impressive experience. All of which is to say, railroads are an inescapable part of Far West Texas scenery and history, and so, for my book in-progress on that region, I have been doing my homework.
[>>CONTINUE READING THIS POST AT WWW.MADAM-MAYO.COM]
Of late: The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century by Wolfgang Schivelbusch, a German historian and scholar of cultural studies. Originally published as Geschichte der Eisenbahnreise, the English translation came out in 1979; I read the 2014 edition with a new preface, "World Machines: The Steam Engine, the Railway, and the Computer," in which Schivelbusch asks,
"Could it be that the railway, the accelerator of the Industrial Revolution, and the computer occupy different points along / on the same trajectory of machine evolution?"
In recent weeks, this question of machine evolution, to my surprise, has begun to interest me intensely.
At first I had thought of this book I am writing about Far West Texas as a doppelgänger to my 2002 memoir of Mexico's Baja California peninsula, Miraculous Air, for the ecosystems and early exploration and mission histories of these two regions have many parallels. There are indeed many parallels, however, to start with, the literature on Far West Texas is exponentially greater and-- more to the point-- since the time I was traveling in Baja California, the experience of traveling itself has been radically transformed by the Digital Revolution. My sense of this is a compression of time and a curious elasticity of space; of oftentimes disquieting and othertimes most welcome transparency; and that constant pull to the little screens that, so it would seem, we all feel these days, whenever, wherever.
In The Railway Journey, Schivelbusch opens with a detailed discussion of the history of the steam engine.
"Next to wood, water and wind power were the main energy sources of pre-industrial economic life. The Industrial Revolution, generally seem as having begun in the the last third of the eighteenth century, was a complex process of denaturalization... Iron became the new industrial building material, coal the new combustible. In the steam engine, the prime mover of industry, these two combined to produce energy in theoretically unlimited amounts."
The "decisive step" for the development of the steam engine-- and ultimately the railroads-- was the introduction of rotary motion, "a kind of mechanization of the mill race." In other words, transforming the up-and-down movement of the steam-driven piston to the driving wheel.
In his new 2014 preface, however, Schivelbusch writes: "It took me forty years and the Digital Revolution to realize that I had missed the more important point of the invention preceding it." In other words, the technological Crossing of the Rubicon, as it were, was "placing a piston in a cylinder and applying the pressure of steam... [I]t did not transfer an existing form but forced a new form of power out of combustible matter." Moreover, "the piston's up-and-down movement was no longer the analogue of any form of movement found in nature but possessed a binary-digital logic all its own."
Watch a demonstration of a piston (in this example, powered by an electric motor):
Most histories of the computer's binary-digital logic that I am familiar with focus on English mathematician George Boole's An Investigation into the Laws of Thought (1854)-- the concept of binary logic. Schivelbusch's is a wondrously powerful insight.
THE MACHINE ENSEMBLE
In his second chapter, "The Machine Ensemble," Schivelbusch explores the ways the development of the railways was experienced as "denaturalization and densensualization." With cuttings, embankments, and tunnels"the railroad was constructed straight across the terrain, as if drawn with a ruler." Now "the traveler perceived the landscape as it was filtered through the machine ensemble."
And what is the machine ensemble? "[W]heel and rail, railroad and carriage, expanded into a unified railway system... one great machine covering the land."
RAILROAD SPACE
With the railroad, argues Schivelbusch, "space was both diminished and expanded." Things moved across space faster, and simultaneously, more space could be accessed. "What was experienced as being annihilated was the traditional space-time coninuum which characterized the old transport technology."
Schivelbusch quotes the German poet Heinrich Heine, writing in 1843:
Heinrich Heine, protosurrealist
"What changes must now occur, in our way of looking at things, in our notions! Even the elementary concepts of time and space have begun to vacillate. Space is killed by the railways, and we are left with time lone... Now you can travel to Orléans in four and a half hours, and it takes no longer to get to Rouen. Just imagine what will happen when the lines to Belgium and Germany are completed and connected up with their railways! I feel as if the mountains and forests of all countries were advancing on Paris. Even now, I can smell the linden trees; the North Sea's breakers are rolling against my door."
Sniffed Victorian-era English art critic John Ruskin:
"Modern traveling is not traveling at all; it is merely being sent to a place, and very little different from being a parcel."
(I quail to imagine what might have been Ruskin's reaction to a TSA line. We airline travelers have been demoted from parcel to cattle...)
PANORAMIC TRAVEL
For me, having spent so many hours driving through the vast spaces of Far West Texas, the fourth chapter, "Panoramic Travel," was the most engaging. The opening epigraph is from Emerson's Journals: "Dreamlike traveling on the railroad." In a car, as in a railway compartment, we are enclosed from the weather behind windows, and by a roof and a floor. We rest our bodies in an upholstered seat. Beyond the window, things sail by silently, inexorably, scentlessly: hills, fences, a gas station-- it becomes a blur.
Travel by railroad induced "panoramic perception." Schivelbusch:
"Panoramic perception, in contrast to traditional perception, no longer belonged to the same space as the perceived objects: the traveler saw the objects, landscapes, etc. through the apparatus which moved him through the world. That machine and the motion it created became integrated into his viual perception: thus he could only see things in motion. That mobility of vision-- for a traditionally oriented sensorium, such as Ruskin's-- became a prerequisite for the 'normality' of panoramic vision. This vision no longe experiences evanescence: evanescent reality had become the new reality." (p.64)
Because this can be deadly boring, and necesitated being in close quarters with fellow travelers of, shall we say, possibly inconvenient social connections, bougeois train travelers took up reading. Schivelbusch:
"Reading while traveling became almost obligatory.The dissolution of reality and its resurrection as panorama thus became agents for the total emancipation from the traversed landscape: the traveler's gaze could then move into an imaginary surrogate landscape, that of his book." (p. 64)*
But back to computers. I am beginning, with fraying patience, to think of ours as the Age of Phubbing Smombies. To walk the aisle of a railway passenger car or an airplane is to catch the soundless glow of dozens of little screens... the overwhelming majority not of text but of flashing images of murders, faces, scantily clad women, roaring dinosaurs, cars and other objects hurling off cliffs (what is it with all the cliffs?).. and cartoons of the same... In sum, a mesmerizing mishmash of imagery.
AMERICAN VS EUROPEAN RAILROADS
In the 19th century the "great machine" of the railway ensemble spread across the land in both Europe and the North American continent, but, as Schivelbusch details, there were fundamental differences in the pattern and nature of that machine. Europe was already densely populated and richly networked by highways and roads; "in America, the railroad served to open up, for the first time, vast regions of previously unsettled winderness."* In other words, to quote Schivelbusch quoting von Weber, "In Europe, the railroad facilitates traffic; in America, it creates it."
*Quibble: Important regions of America's interior were not in fact a wholly "unsettled wilderness" until after the cascading demographic collapses, and later Indian removals, and the Indian Wars. There were well-established trails and trade routes throughout the continent, many going back many hundreds of years. But yes, compared to Europe, the road networks in Amreica were thin and poor and the vast desert expanses and the Great Plains were terrible, as many memoirs attest, to traverse by horse-drawn vehicles.And while Europe's industrial revolution focused on manufacturing, primarily textiles, in America it was about agriculture (cotton, tobacco) and transport. In the early 19th century, what American industry had in the way of machines was, writes Schivelbusch, "river steamboats, railroad trains, sawmills, harvesting combines."
By the 19th century the string of older cities of the North Atlantic coast-- Boston down to Washington DC-- were linked by well-established highways, however, the rest of the continent had more primitive roads, oftentimes what amounted to footpaths and, above all, waterways: The Mississippi, the Missouri, the Ohio, the Hudson, various canals, and the Great Lakes. "Thus passenger travel used these waterways in the absence of highways... One traveled by water whenever possible."
Unsurprisingly, the American railway compartment took on the distinctive character of the American riverboat cabin. These tended to be broad open rooms, more comfortable for traveling long distances. European railroad compartments took their template from the stagecoach, a cozier space.
Schivelbuch argues that in American culture the railroad was closely linked with the steamer both because it was these were the first and second mechanized means of transportation and because so much of the interior landcape-- the Great Plains--was described by travelers as kind of vast ocean. (Indeed it was, in an eon past, the bottom of an ocean.)
The path of the railroad tracks differed as well: American tracks tended to curve where European tracks would be straight. As Schivelbusch points out, this reflected differences in labor and land costs. In America, land was cheap and labor expensive. In Europe then "it paid to construct tunnels, embankments and cuttings in order to make the rails proceed in a straight line, at a minimum of land cost."
Ah, so that explains the sinuosity of those Far West Texas rails.
INDUSTRIALIZED CONSCIOUSNESS
"new consciousness of time and space based on train schedules and the novel activity of reading while traveling" (p.160)
Re: The reconsideration of the concept of shock in the 19th century. Schivelbusch:
"The railroad related to the coach and horses as the modern mass army relates to the medieval army of knights (and as manufacture and industry do to craftmanship.)" (p.159)
Re: A "sinister aspect". Schivelbusch:
"...it had become possible to travel in something that seemed like an enormous grenade." (p.160)
"The train passenger of the later nineteenth century who sat reading his book thus had a thicker layer of that skin than the earlier traveler, who coud not even think about reading because the journey still was, for him, a space-time adventure that engaged his entire sensorium." (p.165)
(Thicker layer of skin!! Just turn on TV news!! The commercials!! In our day, we've all grown callouses on top of rhino hide.)
HAUSSMANN'S REDO OF PARIS AND A NEW CONSCIOUSNESS FOR A NEW CITYSCAPE
Schivelbusch covers Haussmann's remodeling of Paris in detail in chapter 12, "Tracks in the City."
"The streets Haussmann created served only traffic, a fact that distinguished them from the medieval streets an lanes that they destroyed, whose function was not so much to serve traffic as to be a forum for neighborhood life; it also distinguihsed them from the boulevards and avenues of the Baroque, who linearity and width was designed more for pomp and ceremony han for mere traffic." (p. 183)
"The broad, tree-lined streets were seen as providers of light and air, creating sanitary conditions in both a physiological and a political sense-- the latter favorable to the rule of Napoleon III." (p. 186)
MORE ABOUT PANORAMIC PERCEPTION
The final chapter, "Circulation," looks at the consequences of the changes in transportation for retail, specifically, the development of department stores.
"As Haussmann's traffic arteries were connected to the rail network by means of the railway stations,and thus to all traffic in its entirety, the new department stores, in turn, were connected to the new intra-urban arteries and their traffic. The Grands Magasins that arose during the second half of the nineteenth century were concentrated on the boulevards that supplied them with goods and customers." (p.188)While traveling on the train put an end to conversation, so the department store put an end to haggling, for now there were price tags.
Department stores encouraged panoramic perception.
"There had to be noise, commotion, life everywhere... The customer was kept in motion; he traveled through the department store as a train passenger traveled through the landscape. In their totality, the goods impressed him as an ensemble of objects and price tags fused into a pointillistic overall view..."(p. 191)
The sources of parnoramic perception were at once speed and "the commodity character of objects."(p. 193)
THE CIRCULATION CONCEPT IN THE 19th CENTURY
"... whatever was part of circulation was regarded as healthy, progressive, constructive; all that was detached from circulation, on the other hand, appeared diseased, medieval, subversive, threatening."
(p. 195)
CIAO, GRAND TOUR
Re: The Grand Tour, "an essential part of ... education before the industrialization of travel." The world was experienced in its original spatio-temporality... His education consisted of his assimilation of the spatial individuality of the places visited, by means of an effort that was both physical and intellectual" (p. 197)
(At this thought, of the industrialization of travel, I had an evil little chuckle recalling Mrs Pofrock in Henry James' The Ambassadors.)
So:
"The railroad, the destroyer of experiential space and time, thus also destroyed the educational experience of the Grand Tour... the places visited by the traveler became increasingly similar to the commodities that were part of the same circulation system. For the twentieth-century tourist, the world has become one huge department store of countrysides and cities" (p. 197)
I would venture that a more apt analogy would now be "menu of venues for digitally realized self-presentation" -- translation from the Noodathipious Flooflemoofle: "selfies." I hear most everyone shops online these days.
# #
FURTHER TIDBITTY THOUGHTOID
A curious analogy occured to me, that just as the automobile allowed for more agency for a traveler vis-a-vis the railroad, so the tablets and smartphones allow more agency than the television for the consumer of entertainment.
FURTHER TECHNOLOGY CYBERFLANERIE
Lynn White's 1973 address to the American Historical Society
Both charming and profound.
Society for the History of Technology's List of Classic Works in the History of Technology
Note: One book that should be on that list and for some unfathomable reason is not:
Donald R. Hill's Islamic Science and Engineering (Edinburgh University Press, 1993)
Speaking of which, why isn't Schivelbusch?! Let's call it a handy, albeit embryonic, list.
See also SHOT's Basic Bibliography of Works in the Field
> Your comments are always welcome. Write to me here.
Monday, November 06, 2017
Further Notes on John Bigelow, Jr. (1854-1936): ON THE BLOODY TRAIL OF GERONIMO, the Rare 1958 Westernlore Press Edition
![]() |
| John Bigelow, Jr. |
>>CONTINUE READING THIS POST AT WWW.MADAM-MAYO.COM
Last Monday's post was a batch of notes on John Bigelow, Jr. (1854-1936), an undeservedly obscure personality in late 19th century and early 20th century American history. This Friday at the Center for Big Bend Studies conference I'll be giving a talk about the diverse periods of his life and achievements. The title: John Bigelow, Jr.: Officer with the Tenth Cavalry, Military Intellectual, and Nexus Between West and East.
I'm not aiming to write Bigelow's biography, although he certainly merits one,* and I hope my work may encourage and aid some other scholar in that endeavor. Apart from this talk and, fingers crossed, resulting paper for the Journal of Big Bend Studies, my project is a literary travel memoir, World Waiting for Dream: A Turn in Far West Texas, in which Bigelow appears, briefly, or at some length, in various chapters, as he was stationed in or traveled through Fort Stockton, Fort Davis, Peña Blanca (now Peña Colorado, a public park south of Marathon), the Guadalupe Mountains, and other sites in the Trans-Pecos, that is to say, Far West Texas at different times in the late 19th century. Hence, it behooves me to do this research-- and wagonloads more about the Apaches and Comanches, et al-- and if you find this subject half as fascinating as I do, gentle reader, you're in for a fiesta with more than a few firecrackers.
*An excellent partial biography by Marcos Kinevan is Frontier Cavalryman: Lieutenant John Bigelow with the Buffalo Soldiers in Texas (Texas Western Press, 1998).
| My copy of the 1958 edition of John Bigelow Jr's ON THE BLOODY TRAIL OF GERONIMO (The cover shows an illustration by Frederic Remington) |
Bigelow's articles in Outing, and as reproduced in this tome, are accompanied by illustrations by a number of artists including Poultney Bigelow's Yale University classmate, the then-unknown Frederic Remington.
As Woodward writes in his foreward, "It was a fortunate combination. Bigelow the young lieutenant who was breaking into print for the first time, and Remington, who was likewise doing his first important commission as an illustrator."
In fact, this was not Bigelow's first publication-- although it was his first for a general readership. Two years earlier, in 1884, Bigelow had published his study of two major battles in the Franco-Prussian War, Mars-La-Tour and Gravelotte. And, over the years, he would go on to produce an important oeuvre on military strategy.
Bigelow's Outing essays comprised his diaries as an officer in the Tenth Cavalry, published as a series of 14 articles under the title "After Geronimo," beginning in March 1886 and concluding in April 1887. As in Texas, Bigelow remained with the 10th, an African American regiment first established in 1866, but in this action they had been sent further west, to Arizona, to mop up the last of Apache resistance. The Comanche had been defeated in Palo Duro Canyon in 1874, and with Geronimo's surrender in September 1886, the wars in the southwest ended. (On the northern Plains, the Ghost Dance War, Pine Ridge Campaign, and Massacre at Wounded Knee would be over by 1891.)
Despite the title, Bigelow's diary says little about the Apaches and less about Geronimo, but it provides a rare and colorful felt sense of what is was like to serve in the West in the last days of the Indian Wars. It is also a window onto Bigelow as a military intellectual, one supremely well-versed on the literature of war and, in particular, battles of the U.S. Civil War and the Franco-Prussian War-- and one who, even while chasing Apaches on horseback, was thinking about the logistics and professionalism required for the industrialized wars of the future.
THE APACHES
Linguistic evidence suggests that the Apache arrived in the southwest of what is now the United States after having migrated from the northwest centuries ago. The story of the wars against them, first by the Spanish, then the Mexicans, sometimes the Comanches, and then beginning in the 1830s, the Americans, is an ugly one with many chapters. By 1885 the Apache had been decimated, and survivors eked out a meagre life on reservations (another ugly story in itself, with many chapters). On May 17, 1885, a small contingent of Chiricahua Apache led by Geronimo and Nachez bolted the reservation with over 100 other warriors, women and children, heading towards Mexico. Writes Woodward in his introduction of Bigelow and his men:
"[T]heir work guarding the mountain passes leading out of Mexico into Arizona was a most important one. No one knew exactly where Geronimo and his band would strike."
A graduate of West Point's class of '77, Bigelow had no personal animus towards the Apache. He was a patriot from the very core of the Eastern Establishment, a career officer in want of the field experience that could bring him a promotion. Previously, he had served in Texas with the Tenth Cavalry from late 1877 through the end of 1879, participating in the Victorio Campaign, then returning to West Point as an assistant professor of French. He married in Baltimore in 1884, then returned to Texas again, this time with his bride and baby, first stationed at Fort Davis, Texas, then to Fort Grant, Arizona for the Geronimo campaign.
There is much more to say about his varied and outstanding career, but to return to the Geronimo Campaign, Bigelow made no bones about his motives for returning West. As he writes in his diary for May 19, 1885 (Outing, April 1886):
"I had rejoined my regiment with the expectation of gaining in efficiency from experience in the field, and I realized the fact that the opportunities for doing so in our army were becoming fewer and harder to seize every year. I also realized that laurels were scarce along Indian trails, and that they grew in difficult places. It was principally for the practice of looking and reaching for them, with the hope that the skillfulness this acquired might some day serve me under more favorable conditions, that I aspired to getting on the trail of these Chiricahuas."
But in the same entry, Bigelow also says:
"The American public does not know the meaning of the phrase, Indian atrocity-- not its true meaning... There is no public organ to give them utterance. Their revolting indecency often excludes them from every respectable paper..."
MORE ABOUT THE 1958 EDITION
In the past, for this sort of research I would have made do with online materials or purchased an ex-library or otherwise beat-up "reading copy" from whatever used bookseller. But I have become a rare book nerd! And this fine, mylar-covered and autographed (by the editor, Arthur Woodward), was not so expensive after all (say, half the cost of a pair of not-quite-Ferragamos, or less than the cost of 4 pounds of brisket BBQ). It is a finer edition than I expected, and with a crisp, two-color title page. Check this out:
| The two color title page, 1958 edition, in pristine condition |
| The editor of the volume, Arthur Woodward, was Chief Curator of History and Anthropology of the Los Angeles County Museum, and the author of several books on Western history. |
| The end papers, front and back, show the same map: OUTLINE MAP OF THE FIELD OF OPERATIONS AGAINST HOSTILE CHIRICAHUA INDIANS |
This first illustration, a portrait of Geronimo, is not by Frederic Remington but by J.R. Chapin, dated 1885.
| Portrait of Geronimo by J.R. Chapin |
And here are several of the Remington sketches:
| "Tenth Cavalry Types" by Frederic Remington |
| "Arrival of the Doctor" by Frederic Remington |
| "The Dog of Nogales" by Frederic Remington |
| "A Six-Mule Government Team and Wagon" by Frederic Remington |
| "Reading the Orders" by Frederic Remington |
| "The Race" by Frederic Remington |
| "One of the Pack Mules Turned a Somersault" by Frederic Remington |
| "Surprised by a Party of Mexicans" by Frederic Remington |
LT. BIGELOW AND HIS DIARY
Bigelow was an unusually well-educated officer. His father was a renowned New York newspaper editor and eminence of the Republican Party whose friends included such literary lights as Charles Dickens, Joaquin Miller, Mark Twain, and Oscar Wilde. (Bigelow, Sr was also the editor of Josiah Gregg's iconic best-seller Commerce of the Prairies, and when serving as US ambassador to France during the Civil War, had rescued Benjamin Franklin's autobiography. More about Bigelow, Sr. anon.) John Jr.'s diary is wonderfully rich with vivid detail, e.g.:
"May 19, 1885... The men and officers have not remained in the fiery furnace in which the command unsaddled. The men are mostly strewn along the railroad track, asleep in the shade of the freight cars; others are in the pump-house, through which water is brought up from an artesian well into the railroad tank; others are lounging on the platform of the station. They officers are in the warehouse. They are an ennuyé-looking set at this hour of 4 P.M.; one of them is sleeping on the hand-truck... About 5 P.M. took place the great excitement of the day-- a passenger train came in from the West, and stopped about five minutes. A brisk sale ensured of newspapers and California fruit, in which a crushing railroad monopoly possessed itself of many a last cent. One officer paid 4 bits (50 cents) for four oranges." (Outing, April 1886)
"September 6, 1885... Like most primitive American towns [Harshaw] consists of one street, lined with box-like frame houses, largel eating and drinking places; in front of these we saw an assortment of Harshaw's men of leisure, whose facial expressions conveyed a seeming determination not to be the first to say good-day." (Outing, June 1886)
A LANDSCAPE OF INDUSTRIALIZATION
While Bigelow does describes the saguaro cacti, gila monsters, and other exotica, including Mexican tortillas, pinole, and panocha, he and his men traverse a rapidly industrializing Arizona of railroads and hardscrabble mining towns. When possible, to spare the horses, he would march them along the railroad.
In Clifton:
"October 3, 1885... While coming into the town, I had noticed a peculiar intermittent light... which I thought might come from an electric light; now I saw that it came from a smelting work across the river. It was produced by the fresh slag; the pigs-- that is, I believe, what they call them-- breaking open as they rolled down the side of the dump, exposing the incandescent mass inside. having seen to the feeding and grooming of my horses, I started out with Lietnenant Reade in search of a dinner. We wandered down the street to near the end of the town, and entered the largest and brightest-lighted of the many resorts that we passed-- a typical mining-town amusement hall. From a sort of large box I looked over a breast-high, counter-like partition into the main room upon a crowd of men and women of various ages and nationalities. At the middle of the side opposite the entrance was the bar. At the farthest end, from which came the sounds of lively music on the violin and other instruments, I could see figures bobbing and whirling through square and round dances. About the middle of the room was a mixture of Mexicans and Americans, sprinkled with Germans, English, Irish and other nationalities... Some of these people were playing at the billiard-tables, others were seated on the side of the room opposite the bar, or standing about the floor engaged in more or less excited conversation. The women, coming up in their promenades between the dances for a change of scene and air-- sometimes for refreshment at the bar-- were fewer here than at the farther end of the room. As seated at one of the restaurant tables, I took in the animated scene, I questioned to myself the propriety of my being where I was, especially of my being seen here in uniform. Before I had answered this questioning to my entire satisfaction, a couple of well-dressed gentlemen came into our little room, and as they sat down at the table next to ours, one of them was designated to me as the Governor of the Territory. I had no further concern as to the propriety of my situation. Having eaten a good supper, I repaired, rather tired, to my saddle and blankets for the night." (Outing, August 1886)
"January 21, 1886. My authority for a leave having come yesterday, I... boarded a train and settled down with my Spanish grammar and my papers and periodicals to their enjoyment from a spring-cushioned seat. At Benson, the junction with the Southern Pacific Railroad, I lunched at a Chinaman's, at the small cost of twenty-five cents, and I think I know what I ate. It brought me back to civilization to find myself, as I did at one o'clock, seated in a sleeping car opposite a young man in a close-fitting checked suit, carrying an extreme height of collar and sporting a varnished cane."(Outing, November 1886)
WHITHER GERONIMO?
![]() |
| Not a scene Lt. Bigelow saw: Geronimo and his warriors in Mexico, prior to their surrender in Skeleton Canyon, Arizona |
Bigelow did not see much action nor even get close to Geronimo; the Apache warrior-shaman seems an almost ghost-like presence in the diary.
"Sept 8, 1885... Geronimo is thought to be making for the San Mateo Mountains, the Indian strongold in New Mexico. I expect soon to hear of a movement of troops from the border towards the interior" (Outing, July 1886)
"October 7, 1885... About an hour after dark I made out a fire among some trees ahead of me. Having proceeded to within a few hundred yards of it, I halted, dismounted the troop, and advanced with my ranking non-commissioned officer to determine what it was. The corporal put his ear to the ground and reported, "They are cowboys, sir; I hear the voices." So I mounted and pushed on. When about one hundred yards farther, we crossed a railroad and a hard level stretch beyond it, and came upon a stream about twenty feet across, which I took to be the Gila. I worked my way along it toward the fires on the opposite bank, hallooing for some one to come and show me where to cross. I was soon answered by a man standing close to the water's edge, who told me to do so where I stood, and asked me who I was. Upon telling him, I asked him, with lively curiosity, "Who are you?"
"I am Lieutenant Reade."
It turned out to be my friend and classmate, Lieutenant Reade, of my regiment, and my corporal's alleged cowboys were his men." (Outing, August, 1886)
"October 4, 1885... I went to the telegraph office for news. Learned that... General Crook concludes that the Indians have returned to Sonora." (Outing, August, 1886)
"February 3, 1886... I apprehend that Geronimo is not yet ready to make an unconditional surrender." (Outing, December 1886)
"March 4, 1886... Camp-life seems drearier and emptier than ever. I try to reconcile myself to it as a wholesome discipline in preparation for the intervals of inaction in real way, but it is hard to imagine this inanity in real war." (Outing, January 1887)
"March 18, 1886. It is now three days since General Crook was to have met Geronimo, but we have not yet heard of his doing so." (Outing, January 1887)
"March 21, 1886... This time last year I was packing to move from Texas to Arizona and I have been pretty constantly in camp or on the march ever since. When I consider what little professional advantage that this roughing it is affording me, I am satified with the prospect of a return, without honor or distinction, to my garrison home." (Outing, January 1887)But the violence, and for Bigelow, the chase, heats up in May. Bigelow and his men are in the field, hearing stories of killings and kidnappings, seeing signs of Indians, visiting abandoned and pillaged ranches-- but still, no Geronimo. The last article in the series, published in April 1887, in the main diary entries from June 1886, have Bigelow and his men roughing it out in the field.
"June, 1886... we found the body of a man shot through the heart. From papers lying near him and from his appearance, I judged him to be a German. He was evidently camping here, cultivating a small vegetable garden.. I noticed on the top of his head a raw, white circle about the size of a dollar, which showed him to have been scalped." (Outing, April 1887)
They cross the border into Mexico, passing near American-owned mines:
"San Lazaro, Mexico, June 14, 1886... I am told that the day after I passed through here going east, a party of Indians, numbering thirty-seven, crossed the road some twenty-five miles below, testifyng to their hot pursuit by eating raw meat." (Outing, April 1887)
Without ceremony, the diary trails off with the last installment in Outing April 1887, when presumably, readers would have known of Geronimo's surrender in September 1886 in Arizona's Skeleton Canyon.
In the diary published in Outing Bigelow says little of the Chiricahua Apache. Most of his descriptions of Indians of are of his own scouts, Tontos and Mojave. However brief and light his focus, Bigelow has an eye for novelistic detail:
"December 14, 1885...After issuing them their arms, ammunition, accoutrements and camp equipage, I proceeded to take down the wants of my Indians in the way of clothing. which struck me as rather capricious. Some wanted a hat, and some did not; the same was the case with boots... In order to get at the sizes they needed, I had toi let them try on my own boots and hat and gauntlets.... One Indian amused us very much in his first attempt to utilize a boot-jack." (Outing, September 1886)
"January 30, 1886... Tonto Jim... did not stay long, as I offered him nothing to smoke. These Indians are greater smokers if cigarettes than the Mexicans. Not smoking myself now, I have discontinued keeping tobacco, and I apprehend that my Indian friends will fall off from me. They used to come in and make long visits on my tobacco-box, and would often ask me for tobacco and cigarette papers, of which I kept an extra supply for them. They never say "thank you," or anything that seems like it. I do not think there is any such phrase in their language." (Outing, December, 1886)
GERONIMO THEN, GERONIMO NOW
I cannot help but wonder what Bigelow would have made of the rest of Geronimo's life, and whether he reflected upon his own influence on Geronimo's fame. (Perhaps I shall find out, if I can consult his diaries, which are in the Library at West Point.) After a stint as a POW in Florida, then Alabama, Geronimo lived out his life in Fort Sill, Indian Territory. Writes William A. Clements in Imagining Geronimo:
"Geronimo became a celebrity. He attended world's fairs in Omaha, Nebraska, in 1898; Buffalo, New York, in 1901; and Saint Louis, Missouri, in 1904. He participated in Theodore Roosevelt's inauguration in 1905 and was courted by Wild West show entrepreneur Gordon Lillie (Pawnie Bill). He was a tourist attraction and provided good copy for journalists who speclated that he had gone mad, that his much heralded conversion to Christianity was only a sham, and that he was plotting an escape. Newspapers sought his opinions on topics such as the Filipino resistance to the American presence following the Spanish-American War and the education of Apache children. Geronimo died in 1909 from pneumonia that he contracted after lying out all night after one of his protracted drinking bouts." (p. 10)
Much more anon.
> Your comments are always welcome. Write to me here.
# # #
NOTE: Normally I post on Mondays, but since I'll be at the Center for Big Bend Studies conference, the next post will appear mid-week. Speaking of tardiness, because of multiple household moves this year, I am behind schedule with the podcasts, mainly interviews, apropos of my book. Stay tuned! Podcasts 21 (Seminole Scouts), 22 (Sanderson), 23 (Archaeologist Andy Cloud) and the final 24 (The Blue Lady, Maria de Agreda) are all in-progress and will be posted, starting early in the new year. In the meantime, I invite you to listen in any time to the other 20 that have been posted to date.
Monday, October 30, 2017
Notes on John Bigelow, Jr. and "Garrison Tangles in the Friendless Tenth: The Journal of First Lieutenant John Bigelow, Jr., Fort Davis, Texas"
| A portion of the prodigious accumulation |
>> READ THIS POST AT WWW.MADAM-MAYO.COM
As those of you who follow this blog well know, I live in Mexico City and have been at work on a book about the Trans-Pecos (that, is Far West Texas) for more than a spell. Books on the Trans-Pecos are sparse on the ground south of the border, so when I travel to Texas I always try to scour a bookshop or three. Thus have I accumulated a working library, including not a few rare and unusual books. For this sort of project, archival research is also important to do-- and I have done some-- but it can be woefully expensive to travel to and spend time working through archives. So whenever an historian has taken the trouble to transcribe and publish anything relevant from any archive of interest to me, I am triply grateful for such a find.
One example is the work by Douglas C. McChristian, a retired research historian for the National Park Service: "Garrison Tangles in the Friendless Tenth: The Journal of First Lieutenant John Bigelow, Jr, Fort Davis, Texas," published as a chapbook of about 60 pages by J.M. Carroll & Co in 1985. The copy I found is in excellent condition with, halleluja, a mylar cover and autographed by the editor.
Why is this excerpt from Lieutenant Bigelow's diary, from 1884-1885 in Fort Davis, Texas, so interesting and important?
The Tenth refers to the Tenth Cavalry, one of the African American regiments -- "Buffalo Soldiers"-- established after the U.S. Civil War, famed for its exploits in the West during the Indian Wars of Bigelow's time (and later, in the Spanish-American War, also of Bigelow's time, but that would be another blog post).
Fort Davis, tucked among the volcanic Davis Mountains, and surrounded by hard desert for hundreds of miles around, was one of a string of US Army forts set up to protect the El Paso Road.
To give an idea of the remoteness, Bigelow wryly remarks:
Fort Davis, Texas. Thursday Jan. 15, 1885 ... One is apt is a country like this to suspect everybody one meets with some discreditable reason for being here, without thinking that one is subject to the same suspicion oneself.
Back to Lt. Bigelow. Writes McChristian of Lt. Bigelow's Fort Davis diary:
"A keen observer and a skillful writer, Bigelow left a vivid record of events and relationsips at the post as he witnessed them. He included no expeditions or battles, no heroics, no glitter-- only the realities of life on the frontier."
Nuggets in Lt. Bigelow's diary include:
Fort Davis, Tex. February 12, 1885 Have written to Chicago for 1/2 doz. base balls for the troop. The men have bats and bases. I hope my efforts to afford them recreation will counteract the unpleasant impression they receive from the extra drill that I give them and the increased severity of discipline to which I subject them.
The men were not so isolated as they might have seemed:
Fort Davis, Texas. Sat. Feb. 14, 1885... I read the report in the New York Herald today that Khartoum had fallen. From that paper I gather that the British do not comprehend yet the power of their enemy. They think of turning the tables with five or ten thousand additional troops. They will want five or ten times that many troops to conquer the Mahdi.
And Bigelow mentions meeting Quanah Parker:
Fort Davis, Tex. Tuesday Dec. 9, 1884. Have just returned from a call at Lt. Woodward's where I met the Chief of the Comanches in the Indian Territory [Oklahoma]. His tribe is not regarded as civilized. It is behind the Choctaws, Chickasaws, Seminoles. All communications with his tribe from the Federal Government go to him. He assembled the heads of families with whom he discusses the matter. Ten years ago, says Woodward, this man wore a blanket and breech clout. Today he is dressed like any white man. He has two other Indians with him. All three are going tomorrow about 60 miles south of here to get a certain herb which they prize as a medicine. Clarke is to escort them with about 1/2 dozen men. Quanah has a determined, and intelligent, though not a bright look. His mother was a white woman captured in Texas when quite a child; who subsequently married an Indian.
[Quanah's mother was Cynthia Ann Parker and his father a chief, Nocona. The "certain herb" they were heading south to harvest was peyote cactus, then abundant in the Big Bend along the Rio Grande.]
Lt. Bigelow and Quanah are among the personalities I will be including in my book on Far West Texas. Apropos of that, this November I will be presenting a paper about Bigelow at the Center for Big Bend Studies conference at Sul Ross State University-- in heart of the Trans-Pecos. Indeed, there are continents more to Bigelow's life than his brief posting to Fort Davis and these few pages of his diary might suggest. The original diary, which spans many more years, including his earlier postings in the Texas in the 1870s, is in the United States Military Academy (West Point).
There is also a substantial archive of John Bigelow Jr. (and Sr. and family) correspondence during the Texas years (and much more) at Union College in Schenectedy, New York.
Bigelow's father, John Bigelow, Sr. was an ardent reader of Emanuel Swedenborg, having encountered the Swedish mystic's books on a journey to Haiti in his work as an Abolitionist (whew, yes, that is all packed into in one sentence! Never a dull moment with John Bigelow, Sr.). So I have been wondering to what degree, if any, his son might have been influenced by those ideas. I have little to go on at this point, but one comment in Lt. Bigelow's diary is suggestive:
Fort Davis, Tex. Dec 4, 1884... I have begun reading to Mary (a chapter every evening) a book that was given to her in Baltimore: Natural Law in the Spiritual World. I find it original, interesting, and edifying.
Natural Law in the Spiritual World was a best-seller of its day; the author was Scottish evangelist Henry Drummond (1851-1897). As far as I can ascertain from a search through the digital edition of this book however, Drummond was not retailing Swedenborgiana.
FURTHER NOTES ON JOHN BIGELOW, JR. (1854-1936)
Bigelow's time at Fort Davis, as well as his earlier stints out west, when he was Fort Duncan, Fort Stockton, scouting around the Big Bend out of Peña Blanco (now Peña Colorado, a public park a few miles south of Marathon), and elsewhere in Texas, are well covered in the excellent biography by Marcos Kinevan, Frontier Cavalryman: Lieutenant John Bigelow with the Buffalo Soldiers in Texas (Texas Western Press, 1998).
Also of note is the masters thesis by Howard K. Hansen, Jr., "The Remarkable John Bigelow, Jr: An Examination of Professionalism in the United States Army, 1877-91," Old Dominion University, 1986, which provides a splendid introduction to Bigelow's oeuvre as a military intellectual, including Mars-la-Tour and Gravelotte; The Principles of Strategy; and The Campaign of Chancellorsville.
Today Bigelow's best-known publication is his series of 15 articles, "After Geronimo," based on the diary he kept as a cavalry officer with the Tenth in Arizona, which he published in his brother Poultney Bigelow's magazine, Outing in 1886-87. Some of these articles included illustrations by Poultney's Yale University classmate and friend, the soon-to-be-world-famous artist Frederic Remington. John Bigelow, Jr.'s articles for Outing were collected and republished in 1958 as On the Bloody Trail of Geronimo, with an introduction and notes by Arthur Woodward.
![]() |
| Read this book for free on archive.org |
John Bigelow, Jr. also fought in and wrote about the Spanish-American War of 1898. That book is Reminiscences of the Santiago Campaign, published by Harper & Brothers in New York and London in 1899.
From his obituary in the New York Times, March 1, 1936:
... Expert strategist and tactician, Spanish War veteran, geographer, author, college professor and descendant of a family distinguished in American history, Colonel Bigelow was well-known in military and social circles both in the United States and abroad.
His father was John Bigelow, United States Ambassador to France under President Lincoln, and his mother, the former Jane Tunis Poultney, a social leader of her day. Poultney Bigelow, the author, is a brother.
The colonel was born in New York on May 12, 1854. After attending private schools in New York, Providence, R.I., and in Europe, he was appointed to West Point, from which he was graduated in 1877. One Jun 15 of that year he was commissioned as a second lieutenant.
Promoted to first lieutenant on Sept. 24, 1883, he was made a captain on April 15, 1893, a major on Dec. 8, 1902, and lieutenant colonel on Sept. 15, 1904, being retired at his own request the same day. From 1887 to 1889 he was adjutant general of the District of Columbia Militia.
Colonel Bigelow particularly distinguished himself during the Spanish-American War. He was wounded four times at the battle of San Juan Hill on July 1, 1898. For his heroic conduct then he was cited in general orders and received the Silver Star...
And I found him and his wife (née Mary Dallam) listed on p. 57 of the 1918 New York Social Register. Bigelow was then at Rutgers College in New Jersey.
Much more anon.
Next up on my reading list is McChristian's latest, Regular Army O! Soldiering on the Western Frontier 1865-1891, published this year by University of Oklahoma Press.
> See the Q & A with McChristian over at the Civil War Books and Authors Blog.
> Your comments are always very welcome. Write to me here.
Subscribe to:
Posts (Atom)
















