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Friday, August 31, 2007
Oro Gris (Grey Gold) by Rossana Fuentes Berain
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Thursday, August 30, 2007
Tell Your True Tale to Sam Quinones
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Wednesday, August 29, 2007
University of Maryland area: Dr Pedersoli
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Dr. Waldir M. Pedersoli, of 9408 Presley Place in Lanham, has been missing since about 5:00 p.m. Friday August 24. Prince Georges County Police are handling the case and, along with the volunteers of Mid-Atlantic Search and Rescue, have done an exceptional job of looking for his whereabouts. His
wife Heleni works at the University of Maryland McKeldin Library, please help her finding her husband.
Dr. Pedersoli is a retired researcher with the USDA/DVMR/FDA in Beltsville and was a Professor of Veterinary Medicine at Auburn University in Alabama. Several years ago he began developing Alzheimer's and it has steadily progressed.
On Friday afternoon he wandered out of his home and was tracked by bloodhounds to the intersection of Good Luck Rd and 94th Ave in Lanham where the trail went cold. Search has been done with helicopter and with the volunteers of Mid-Atlantic Search and Rescue, but no trace has shown up in the Lanham-Seabrook neighborhood. He is in very poor health and is without his medications; he will seem dazed and confused and has also reverted to his native tongue of Portuguese. At the time he was wearing gray pants and either a light green long sleeved shirt or a white t-shirt, and black plastic slip-ons. He was also wearing a navy blue cap and glasses.
Dr. Pedersoli may have been picked up by a motorist along Good Luck Rd or possibly assisted onto a Metro bus although he had no cash, credit cards, or ATM card. His only identification is a medical alert bracelet from the Alzheimer's Association Safe Return which has a toll free phone number - 1-800-572-1122.
Please call the following phone numbers with any information about Dr. Pedersoli : John Pedersoli at (301)982-4544 or cell: (240)603-8887. Heleni Pedersoli at 301-577-7852 or cell 301-806-6119. The PG County police 301-390-2100 or Greenbelt police 301-474-7200.
Labels:
missing person,
Pedersoli
Now She Cans: Leslie Pietrzyk in the Washington Post
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Soundwork: Your Brain on Music
This looks like an interesting book. There is a lauch event at Washington DC's Politics & Prose bookstore on the 29th.
Tuesday, August 28, 2007
Janice Eidus's 5 Favorite (mas o menos, directly or very indirectly) Mexico-Related Websites
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I've been delighted, over these last few years, to discover how many things the wonderful and ever-productive Madam Mayo and I have in common. Among these things are our love of good writing in a wide range and variety of forms; our love of the art, literature, language, culture, and the day-to-day world of Mexico; our love of laughter; and, our belief in nurturing good friendships. I'm thrilled to be a guest blogger on Madam's extraordinary blog. I've chosen five (mas o menos) sites to recommend that--- either directly, or very indirectly--- relate to Mexico.
#1. Behler Publications, a new publisher based in Southern California (not that far, geographically, from Mexico), is publishing some very interesting and exciting new work. My new novel,The War of the Rosens, about a volatile and eccentric Bronx Jewish family, is just out from them. Behler has also recently published the very original and offbeat coming-of-age novel, Teched, written by my good friend, Thaddeus Rutkowski. The very indirect connection to Mexico here is that Thaddeus and I have both enjoyed good times writing in the Mexican sun.
#2. Casa Karmina is a beautiful, large, sunny, art-filled house in Mexico that's inspired the many writers who've stayed there over the years. It's an absolutely perfect writer's retreat.
#3. Roy Sorrels is a talented and versatile writer and writing coach who lived in Mexico for many years, and who now lives in New York. Sometimes when he and I are in New York at the same time, we meet for coffee at a West Village café and pretend that we're sitting in a café at the Jardin in San Miguel, sipping tequila. (In the interest of "full disclosure," I will mention that Roy just reviewed The War of the Rosens for CultureVulture online.
#4. Sheila Bender's website magazine, Writing It Real, is a treasure for writers--- she teaches, chats, and inspires. She and I have been friends for a long time. We met in Port Townsend, Washington, when I was teaching at the Port Townsend Writers Conference. Sheila and I have had some mighty good schmoozes in the Mexican sun and shade--- and, she and I have both been happily involved with Author's Sala in San Miguel de Allende.
#5. My friends, Jim Johnston and Patrice Wynne, live in Mexico and both divide their time between Mexico City and San Miguel de Allende, and both are creative in many fields. Jim's an artist and writer, and Patrice is a photographer, clothing and textile designer, and fabulous Mexican tour guide, among other things.
--- Janice Eidus.
To read Madam Mayo's other guest-blog posts, click here.
Monday, August 27, 2007
Sept 12th New York City--- Mexico: A Traveler's Literary Companion
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Viva Los Tibbies!
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Saturday, August 25, 2007
Guest- Blogger Basil White's Top 5 Laugh-Links
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Copyright (c) Basil White Posted by permission. Visit www.basilwhite.com/comics to view more...
DC-based comedy writer Basil White teaches "Applying Stand-Up Comedy Writing Secrets to Poetry and Fiction," an intensive one-weekend workshop at the Writers Center (sign up here). And check out the free handout package on his website here. So, here are Basil White's top 5:
#1. Wiki's Most Revisions
What people are arguing about. Pure satire fuel.
#2. Gaping Void
How to be creative, by Hugh MacLeod. Ignore everybody. Put the hours in. Keep your day job. He's right. Accept it.
#3.Manifestation
Highlights all uses of the verb "to be" so that you can destroy them.
#4.Wiki's E-Prime
Why you should destroy all uses of the verb "to be" highlighted using the link above.
#5.Basil White's Comedy Workshop
Brain dump of everything I can explain about how the brain gets jokes.
--- Basil White
Read Madam Mayo's other guest-blog posts here.
Friday, August 24, 2007
Thursday, August 23, 2007
Over at Leslie Pietrzyk's blog, Work-in-Progress
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Gone to the Litblogs: Madam Mayo's Blogroll-o-rama
There are such a lot of good litblogs--- by which I mean books by writers and books about blogs. My blogroll in that category was growing a bit too long for this webpage--- so I moved it over to my website. Here's the link to the all new blogroll-o-rama: http://www.cmmayo.com/madammayo-blogroll-litblogs.html
UPDATE 2017: Check out my various blogrolls in this blog's right hand column.
UPDATE 2017: Check out my various blogrolls in this blog's right hand column.
Wednesday, August 22, 2007
Tepoz: La Sombra del Sabino
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Dancing Chiva Workshops in Mexico City
Announced today: I'll be offering two special one day writing workshops in Mexico City via Dancing Chiva.
--->October 27th: "Techniques of Fiction" and
--->January 12th: "Literary Travel Writing."
For more info, visit Dancing Chiva or my workshop page.
--->October 27th: "Techniques of Fiction" and
--->January 12th: "Literary Travel Writing."
For more info, visit Dancing Chiva or my workshop page.
Jim Johnston's Mexico City
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Monday, August 20, 2007
La Paz (Baja California Sur, Mexico) Carnival Babies
In San Miguel de Allende
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Friday, August 17, 2007
The Day Before She Flew to Shanghai, L. Peat O'Neil
signed books with Yours Truly at the Washington Independent Writers Conference. Madam Mayo hears that she's now in Shanghai, but will be offering her on-line travel writing workshop via UCLA. If you're interested in travel writing, don't miss this workshop, and check out her excellent advice-packed book, Travel Writing: See the World, Sell the Story.
New York City's Mexican Cultural Institute & New York University's King Juan Carlos of Spain Center--- September 12th
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Wednesday, August 15, 2007
Techniques of Fiction Workshop in Mexico City
is scheduled for October 27th. It's a special one day workshop, from 10 am to 2 pm. More details anon--- and at my workshop page.
Tuesday, August 14, 2007
Christine Boyka Kluge's Five Favorites for Hybrid Writing, Collaborations and Experimental Work
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Since I love hybrid writing (prose poems, flash fiction, lyric essays, etc.), collaborations, and experimental work, I was delighted to discover the following Web sites. For summer entertainment and enlightenment, here are links to five extraordinary, inventive literary sites:
1. Born Magazine: Art and Literature Collaboration
They describe themselves as “an experimental venue marrying literary arts and interactive media.” The editors arrange collaborations between writers and artists, and the results are fascinating. Sometimes a musician gets into the mix. You’ll get lost in these creative masterpieces as you click your way through new little worlds.
2. The Diagram
How can you resist an electronic journal that claims to “value the insides of things, vivisection, urgency, risk, elegance, flamboyance…. Ruins and ghosts. Mechanical, moving parts, balloons, and frenzy.” The Diagram is chock full of odd diagrams and art, innovative poetry and prose, and everything in between.
3. Blackbird: An Online Journal of Literature and the Arts
From Virginia Commonwealth University, Blackbird is a feast of poetry, fiction, non-fiction, art, interviews, streaming audio, and video. There is always something new to intrigue and educate the visitor. Try the “browse” button.
4. Double Room: A Journal of Prose Poetry and Flash Fiction
Double Room’s goal is “to explore the intersection of prose poetry and flash fiction.” You’ll find a wealth of topnotch hybrid writing here, as well as discussion of the forms. Contributors answer questions about prose poetry and flash fiction. Art, too!
5. Bound Off: A Monthly Literary Audio Magazine
Bound Off releases a new podcast of short stories (and short-short stories) every month. Pieces are read aloud by their authors or the editors. Some musical interludes as well. Fun listening!
Monday, August 13, 2007
C.M. Mayo's 10 Tips for Getting the Most Out of Your Writing Workshop
I'm going to be giving a special one day "Techniques of the Craft of Fiction" workshop in Mexico City this fall. More info here.
[>> CONTINUE READING THIS ARTICLE ON THE WORKSHOP PAGE AT WWW.CMMAYO.COM OR GO TO THE NEW SELF-HOSTED WORDPRESS SITE WWW.MADAM-MAYO.COM]
#1. Buy and read your teacher's book. (Analogy: would you let a carpenter whose work you've never seen remodel your kitchen?)
#2. Ask him or her to autograph it. (An autographed first edition hardcover can be surprisingly valuable! And: flattery never hurts! Don't be shy about asking for an autograph; authors love this, they really do.)
#3. Expect to learn. (Analogy: do carpenters learn their craft wholly on their own? Maybe what you'll learn is that this is a writing teacher to avoid. Certainly, this is much cheaper experience than having a bad carpenter mess with your kitchen.)
#4. Realize that most people who come to a writing workshop have naive notions about the writing world (think money, celebrity, booze-crazed Bohemia), no clue from Adam how hard it is to write anything worth reading, how tough it is get published, and how consternating an experience it can be to be published (criminey, all these people taking your workshops who never even read your book!!). Realize, you are way ahead of the game by following steps 1-3, and that, therefore, though you might learn a lot about the craft, you do not need validation from this workshop, its leader and/or its participants, which is what you were secretly hoping for, no?
#5. Expect to give thoughtful critiques to others who (though their manuscripts are suprisingly bad, not to mention boring and often tasteless), are, strangely, resistant and argumentative. Expect also to receive unbelievably moronic comments on your manuscript and know that this, actually, is a good thing because learning to take criticism with open-minded equanimity is part of learning to be a published and productive writer--- unless, that is, you want to be a writer who cringes at every review, every blog mention, every amazon.com shark attack out of Nowheresville, and is, therefore, both miserable and miserable to be around. (You can win the Nobel Prize and someone, somewhere, will say something unkind about your writing. So, Buck up.)
#6. Despite all of the above, take very seriously your critiquing of other participants's manuscripts, for good karma and all that, but also because the fastest way to learn to recognize problems in your own manuscripts is by identifying the same in others's manuscripts. I think it was Ann Lamott who said (more or less), "we point, but do not cut, with the sword of truth." Read the pages carefully, and offer honest, thoughtful, and detailed critiques in a spirit of kindness. (Wouldn't you want the same?)
#7. Remember the bicycle analogy. Like riding a bicycle, to take criticism productively, a writer needs to be able to balance between meekness (listening to everyone) and arrogance (listening to no one). Too much of either, your writing falls flat. (Too much of either and your whole life falls flat, now that I think about it.)
#8. Do the assigned reading. To learn the craft, workshops are not enough (see again Tip #4). If you do the assigned reading while in a workshop, rather than later (or never) you have the inestimable advantage of being able to ask questions and discuss it with the workshop leader and other participants.
#9. Remember, what goes around comes around. If you come to the workshop with an attitude of respect and goodwill, you will attract the same. (Any exceptions you will, one day, consider hilarious. You can also put them in your novel, ha ha.)
#10. Before, during and after the workshop, keep writing. In other words, don't let the workshop deadlines become a crutch. Don't give your power as an artist to anyone else; find your own motivation, develop your own habits. Play God. God riding a bicycle.
--- C.M. Mayo
Copyright (c) C.M. Mayo 2007
For more tips and many other resources for writers, click here.
[>> CONTINUE READING THIS ARTICLE ON THE WORKSHOP PAGE AT WWW.CMMAYO.COM OR GO TO THE NEW SELF-HOSTED WORDPRESS SITE WWW.MADAM-MAYO.COM]
#1. Buy and read your teacher's book. (Analogy: would you let a carpenter whose work you've never seen remodel your kitchen?)
#2. Ask him or her to autograph it. (An autographed first edition hardcover can be surprisingly valuable! And: flattery never hurts! Don't be shy about asking for an autograph; authors love this, they really do.)
#3. Expect to learn. (Analogy: do carpenters learn their craft wholly on their own? Maybe what you'll learn is that this is a writing teacher to avoid. Certainly, this is much cheaper experience than having a bad carpenter mess with your kitchen.)
#4. Realize that most people who come to a writing workshop have naive notions about the writing world (think money, celebrity, booze-crazed Bohemia), no clue from Adam how hard it is to write anything worth reading, how tough it is get published, and how consternating an experience it can be to be published (criminey, all these people taking your workshops who never even read your book!!). Realize, you are way ahead of the game by following steps 1-3, and that, therefore, though you might learn a lot about the craft, you do not need validation from this workshop, its leader and/or its participants, which is what you were secretly hoping for, no?
#5. Expect to give thoughtful critiques to others who (though their manuscripts are suprisingly bad, not to mention boring and often tasteless), are, strangely, resistant and argumentative. Expect also to receive unbelievably moronic comments on your manuscript and know that this, actually, is a good thing because learning to take criticism with open-minded equanimity is part of learning to be a published and productive writer--- unless, that is, you want to be a writer who cringes at every review, every blog mention, every amazon.com shark attack out of Nowheresville, and is, therefore, both miserable and miserable to be around. (You can win the Nobel Prize and someone, somewhere, will say something unkind about your writing. So, Buck up.)
#6. Despite all of the above, take very seriously your critiquing of other participants's manuscripts, for good karma and all that, but also because the fastest way to learn to recognize problems in your own manuscripts is by identifying the same in others's manuscripts. I think it was Ann Lamott who said (more or less), "we point, but do not cut, with the sword of truth." Read the pages carefully, and offer honest, thoughtful, and detailed critiques in a spirit of kindness. (Wouldn't you want the same?)
#7. Remember the bicycle analogy. Like riding a bicycle, to take criticism productively, a writer needs to be able to balance between meekness (listening to everyone) and arrogance (listening to no one). Too much of either, your writing falls flat. (Too much of either and your whole life falls flat, now that I think about it.)
#8. Do the assigned reading. To learn the craft, workshops are not enough (see again Tip #4). If you do the assigned reading while in a workshop, rather than later (or never) you have the inestimable advantage of being able to ask questions and discuss it with the workshop leader and other participants.
#9. Remember, what goes around comes around. If you come to the workshop with an attitude of respect and goodwill, you will attract the same. (Any exceptions you will, one day, consider hilarious. You can also put them in your novel, ha ha.)
#10. Before, during and after the workshop, keep writing. In other words, don't let the workshop deadlines become a crutch. Don't give your power as an artist to anyone else; find your own motivation, develop your own habits. Play God. God riding a bicycle.
--- C.M. Mayo
Copyright (c) C.M. Mayo 2007
For more tips and many other resources for writers, click here.
Sunday, August 12, 2007
Friday, August 10, 2007
New on the Maximilian Emperor of Mexico Page
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Labels:
Maximilian,
Novara
Thursday, August 09, 2007
Monica F. Jacobe on "A Space Inside"
Over at E. Ethelbert Miller's blog, DC writer Monica F. Jacobe talks about her Capitol Hill reading series "A Space Inside". I really admire her for her vision and hard work to make this happen. (The story I read for the inaugural reading was "A Building of Quality" which has a climatic scene at the Vietnam Memorial, wierdly enough.) More anon.
So, Is It News, We're Living in a Police State?
Washington DC and author Kenneth Ackerman has a great post on his blog, Coffee With Ken.
Wednesday, August 08, 2007
Brevity
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Tuesday, August 07, 2007
Edith Wharton
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Monday, August 06, 2007
San Felipe de Jesus, the First Mexican Saint
who, to my suprise, appears at the end of my novel, had a very bad end in Nagasaki. His chapel in Mexico City's cathedral, which contains the Emperor Iturbide's throne, is opened on the Day of the Dead and on February 5th. More anon.
Sunday, August 05, 2007
The River Queen Rocks
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New on my list of favorite literary travel memoirs is Mary Morris's The River Queen. It's a page turner, a heart-felt personal memoir, and a journey to rival Huck Finn's own.
Friday, August 03, 2007
"The Sea is Cortes" in Perceptive Travel
The new issue of the beautiful on-line travel journal Perceptive Travel features photos and an excerpt from my memoir, Miraculous Air: Journey of a Thousand Miles through Baja California, the Other Mexico. To read the excerpt, click here. More anon.
Thursday, August 02, 2007
Helmut Needs to Write a Novel!
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Labels:
Phronesisaical
San Miguel Authors Sala This Saturday
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